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The Individual, Auto/biography and History in South Africa

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determ<strong>in</strong>e the voice <strong>and</strong> style <strong>in</strong> which the f<strong>in</strong>al historical presentation is made”. For<br />

Van Onselen, this meant the “almost unavoidable” need to “eschew cryptic quotation<br />

<strong>and</strong> revert to the third person” <strong>in</strong> tell<strong>in</strong>g Ma<strong>in</strong>e’s life. He suggests, though, that Ma<strong>in</strong>e’s<br />

“narrative skills” did help “to shape <strong>and</strong> direct the result<strong>in</strong>g work”, albeit <strong>in</strong> a “remote<br />

<strong>and</strong> <strong>in</strong>direct fashion”. 154<br />

Draw<strong>in</strong>g on an example from the Kas Ma<strong>in</strong>e oral archive, Van Onselen argued that more<br />

critical attention should be given to the theory <strong>and</strong> method of “data collection rather<br />

than <strong>in</strong>terpretation”. Us<strong>in</strong>g an unusual, traumatic moment of recollection, spoken <strong>in</strong> a<br />

form uncharacteristically lengthy for Ma<strong>in</strong>e, Van Onselen showed how it was rendered<br />

<strong>in</strong> almost the same words by Ma<strong>in</strong>e <strong>in</strong> a later <strong>in</strong>terview. Van Onselen argued that it “not<br />

only tells us about the state of the subjectʹs cognitive processes at the time of these<br />

events, but also reveals one of the codes that he had employed to store <strong>and</strong> retrieve the<br />

results of an important set of events”. 155 In rais<strong>in</strong>g these issues Van Onselen began to<br />

probe language, memory <strong>and</strong> history <strong>in</strong> important new ways <strong>in</strong> <strong>South</strong> <strong>Africa</strong>n studies. 156<br />

Indeed, these are the very issues around which questions of self‐narration <strong>and</strong> the<br />

production of self arise <strong>in</strong> relation to <strong>biography</strong>.<br />

<strong>The</strong>se potential advances, however, were not susta<strong>in</strong>ed <strong>in</strong> Van Onselen’s book. <strong>The</strong> story<br />

of Kas Ma<strong>in</strong>e did offer major new <strong>in</strong>sights, but these were not of method <strong>in</strong> the<br />

production of <strong>biography</strong>. Rather, the achievements of <strong>The</strong> Seed is M<strong>in</strong>e related to the<br />

social processes it studied: the detailed exam<strong>in</strong>ations of the black family, the<br />

sharecropp<strong>in</strong>g economy <strong>and</strong> the gradual impact of the encroach<strong>in</strong>g tide of capitalism, of<br />

vicious forms of racism <strong>and</strong> relations of paternalism. In methodological terms, it was the<br />

ways that Kas Ma<strong>in</strong>e used memory as a resource, a storehouse of oral knowledge about<br />

prices, markets, contracts <strong>and</strong> agreements, <strong>and</strong> about weather, movement <strong>and</strong> family,<br />

which were highlighted.<br />

154 Charles van Onselen, ‘<strong>The</strong> Reconstruction of a Rural Life’, pp 506‐510.<br />

155 Charles van Onselen, ‘<strong>The</strong> Reconstruction of a Rural Life’, pp 511‐513.<br />

156 Gary M<strong>in</strong>kley <strong>and</strong> Ciraj Rassool, ‘Orality, Memory <strong>and</strong> Social <strong>History</strong> <strong>in</strong> <strong>South</strong> <strong>Africa</strong>’, p 9.<br />

164

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