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The Individual, Auto/biography and History in South Africa

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Nelson M<strong>and</strong>ela. <strong>The</strong> late 1980s <strong>and</strong> the early 1990s saw a veritable ‘scramble’ for Nelson<br />

M<strong>and</strong>ela’s life as biographies <strong>in</strong> virtually every medium were produced. While M<strong>and</strong>ela<br />

had acquired near‐Messianic status dur<strong>in</strong>g his imprisonment, it was the “cultural<br />

production of the Messianic M<strong>and</strong>ela” that became a fundamental feature of <strong>South</strong> <strong>Africa</strong><br />

after his release. 182 In the process, Nelson M<strong>and</strong>ela’s life history came to be <strong>in</strong>scribed <strong>in</strong>to<br />

the <strong>South</strong> <strong>Africa</strong>’s process of nation mak<strong>in</strong>g as the seem<strong>in</strong>g embodiment of its heritage<br />

<strong>and</strong> immortal guarantor of its future.<br />

Among the most prom<strong>in</strong>ent biographies of M<strong>and</strong>ela that were readily on h<strong>and</strong> <strong>in</strong> the<br />

1990s were those by Fatima Meer <strong>and</strong> Mary Benson. 183 While both had first been<br />

published <strong>in</strong> the 1980s (Meer’s <strong>in</strong> 1988 <strong>and</strong> Benson’s <strong>in</strong> 1986) as exercises <strong>in</strong> publicity<br />

around M<strong>and</strong>ela’s imprisonment <strong>and</strong> the cause of the ANC, each had been republished a<br />

few times, especially as M<strong>and</strong>ela’s life took on new value with his release. Long‐time ANC<br />

publicist‐historian, Benson’s <strong>biography</strong> was ‘updated’ to <strong>in</strong>clude M<strong>and</strong>ela’s election as<br />

president, <strong>and</strong> was republished <strong>in</strong> 1994. Both biographies were claimed as authentic.<br />

Meer’s book claimed <strong>in</strong> its title to be the ‘Authorised Biography’, while former Drum<br />

editor <strong>and</strong> early Congress biographic narrator, Anthony Sampson, referred to Benson’s<br />

book as “the authoritative ... life story”. 184<br />

This scramble for M<strong>and</strong>ela’s life <strong>in</strong> the mid‐1990s was to be seen <strong>in</strong> other mediums as well.<br />

A number of photographic biographies were produced <strong>and</strong> older ones from previous<br />

biographic treatments were dusted off. One which IDAF had produced to co<strong>in</strong>cide with<br />

his 70 th birthday <strong>and</strong> 25 year <strong>in</strong> prison was substantially revised <strong>and</strong> enlarged. 185 <strong>The</strong><br />

182 This began immediately on his release on 11 February 1990, <strong>in</strong> spite of his seem<strong>in</strong>g <strong>in</strong>difference to<br />

the assembled <strong>in</strong>ternational media <strong>and</strong> his attempts to shake off the redemptive conception of him as<br />

prophet. See the excellent essay by Rob Nixon, ‘M<strong>and</strong>ela, Messianism, <strong>and</strong> the Media’, <strong>in</strong> his book,<br />

Homel<strong>and</strong>s, Harlem <strong>and</strong> Hollywood: <strong>South</strong> <strong>Africa</strong>n Culture <strong>and</strong> the World Beyond, London: Routledge, 1994,<br />

pp 175‐192.<br />

183 Mary Benson, Nelson M<strong>and</strong>ela, London: Pengu<strong>in</strong>, 1986; Fatima Meer, Higher than Hope: <strong>The</strong> Authorised<br />

Biography of Nelson M<strong>and</strong>ela, London: Pengu<strong>in</strong>, 1990 (first published <strong>in</strong> Johannesburg by Skotaville <strong>in</strong><br />

1988).<br />

184 Quotation on frontcover of Mary Benson, Nelson M<strong>and</strong>ela.<br />

185 IDAF, Nelson M<strong>and</strong>ela ‐ His Life <strong>in</strong> the Struggle: A Pictorial <strong>History</strong>, London: IDAF, 1988. Another<br />

biographical publication produced to commemorate M<strong>and</strong>ela’s 70th birthday <strong>in</strong> 1988, which made use<br />

of photographs, was that put together by Alf Kumalo with an accompany<strong>in</strong>g text by Es’kia Mphahlele.<br />

257

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