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The Individual, Auto/biography and History in South Africa

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discovered heritage constructions of life histories after their production, I have at times<br />

<strong>and</strong> to vary<strong>in</strong>g degrees participated <strong>in</strong> the processes of their construction <strong>and</strong> <strong>in</strong>itial<br />

reception.<br />

This occurred <strong>in</strong> at least four ways. At Robben Isl<strong>and</strong>, discussions I held with the<br />

curators of the Cell Stories exhibition at the end of 1999 led to me be<strong>in</strong>g asked to write a<br />

strategic review of the exhibition for publication. At the Nelson M<strong>and</strong>ela Museum <strong>in</strong><br />

2000, I was asked to <strong>in</strong>tervene as a SAHRA Councillor on aspects of the management<br />

of the site of Nelson M<strong>and</strong>ela’s birth at Mvezo, which had been a cause for concern. At<br />

UCT, I was asked to assist with the guest list for a special ceremony to name a<br />

university square after black woman resistance leader, Cissie Gool. F<strong>in</strong>ally at the<br />

District Six Museum, I took part <strong>in</strong> discussions that <strong>in</strong>fluenced some of the depictions<br />

of political <strong>biography</strong> <strong>in</strong> Digg<strong>in</strong>g Deeper through portraiture <strong>and</strong> the design of<br />

exhibition panels.<br />

At Robben Isl<strong>and</strong> <strong>in</strong> 1999, as Cell Stories was be<strong>in</strong>g prepared, I had the opportunity to<br />

hold discussions with curators Ashwell Adriaan <strong>and</strong> Roger Me<strong>in</strong>tjes about the ideas<br />

that <strong>in</strong>formed their research <strong>and</strong> exhibitionary strategies. In a fruitful exchange it had<br />

emerged that strong calls had been made <strong>in</strong>side RIM <strong>and</strong> among ex‐political prisoners<br />

for a broader focus on political imprisonment, <strong>and</strong> not merely on the prison experience<br />

of political leadership <strong>in</strong> B Section. RIM had <strong>in</strong>itiated a research project which was also<br />

a collect<strong>in</strong>g project of prisoner artifacts <strong>and</strong> life histories. In a review article<br />

commissioned by the curators, which was published <strong>in</strong> the Mail <strong>and</strong> Guardian, I wrote<br />

about the exhibition <strong>and</strong> project as a whole, argu<strong>in</strong>g that it represented a significant<br />

<strong>in</strong>tervention <strong>in</strong> the cultural economy of Robben Isl<strong>and</strong>, mark<strong>in</strong>g a departure from<br />

hegemonic heritage <strong>in</strong>terpretations <strong>and</strong> pos<strong>in</strong>g challenges for the narratives of political<br />

imprisonment which the Museum constructed. I have restated these arguments about<br />

Cell Stories <strong>in</strong> Chapter Four.<br />

505

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