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The Individual, Auto/biography and History in South Africa

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I feel the pang of be<strong>in</strong>g unable to meet you [with] the<br />

knowledge that others will gather around you, as by right,<br />

joyously surround<strong>in</strong>g you, <strong>and</strong> you greet<strong>in</strong>g them <strong>and</strong> return<strong>in</strong>g<br />

to the house, <strong>and</strong> talk<strong>in</strong>g <strong>and</strong> laugh<strong>in</strong>g <strong>and</strong> exchang<strong>in</strong>g word<br />

<strong>and</strong> touch. But I, full to the brim with those burn<strong>in</strong>g images,<br />

have no means of outlet, no relief, no possibility to go simply sit<br />

by your side, <strong>and</strong> talk <strong>and</strong> talk <strong>and</strong> listen, shar<strong>in</strong>g all that you<br />

have been through. Instead of that, I must rema<strong>in</strong> quiet <strong>and</strong><br />

passive, <strong>and</strong> far away, denied all natural expression of this tide<br />

of feel<strong>in</strong>g. How should I then feel [about] a mount<strong>in</strong>g pa<strong>in</strong> as<br />

the hours pass, know<strong>in</strong>g that you can only come when it is<br />

convenient to come…? What of all those burn<strong>in</strong>g images with<br />

which I have shared your absence? Must I carry them <strong>in</strong> my<br />

breast like a dead child? 64<br />

And the anxiety Taylor felt about see<strong>in</strong>g Tabata was mutual. In 1959, while Taylor was<br />

<strong>in</strong> Engl<strong>and</strong> for five months, Tabata expressed his anguish at her absence, amid all the<br />

complexities of his ban, mount<strong>in</strong>g <strong>in</strong>ternal bloodlett<strong>in</strong>g, <strong>and</strong> their decision to temper<br />

their mutual desires. In a letter that did not make it <strong>in</strong>to the Tabata Collection, Tabata<br />

wrote:<br />

Now that my emotions are thaw<strong>in</strong>g I am becom<strong>in</strong>g restive. I<br />

want to tackle someth<strong>in</strong>g but you are not there. I f<strong>in</strong>d it hard<br />

to take <strong>in</strong> the fact that for the next 4‐5 months I shall not see<br />

you. I must have been sick or sleep<strong>in</strong>g when you planned your<br />

trip to last so long without any protest from me. 65<br />

Hav<strong>in</strong>g started as Workers Party comrades, Tabata <strong>and</strong> Taylor’s relationship had<br />

developed as one of reciprocal political <strong>and</strong> literary <strong>in</strong>terchange, <strong>and</strong> mutual<br />

commitment to political mobilisation <strong>and</strong> political pr<strong>in</strong>ciple. From about the late 1940s,<br />

Tabata <strong>and</strong> Taylor’s relationship of political <strong>and</strong> cultural production drew an added<br />

element of emotion <strong>and</strong> sexuality as they were <strong>in</strong>creas<strong>in</strong>gly drawn to each other beyond<br />

their political work. By the 1950s, under very tricky conditions of repression <strong>and</strong> <strong>in</strong>ternal<br />

political division, Tabata <strong>and</strong> Taylor made the difficult decision to temper their<br />

64 Dora Taylor, Extended Diary, entry for “Saturday night April 1957” (5 April 1957), Dora Taylor<br />

Papers.<br />

65 I.B. Tabata to Dora Taylor (<strong>in</strong> Engl<strong>and</strong>), 24 May 1959, Dora Taylor Papers.<br />

418

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