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The Individual, Auto/biography and History in South Africa

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through particular enunciative strategies. Through this perspective, it also becomes<br />

possible to breach the divide between the public <strong>and</strong> the private, the political <strong>and</strong> the<br />

personal, <strong>and</strong> to reflect on the <strong>in</strong>dividual <strong>in</strong> a more complex way. 110<br />

With<strong>in</strong> social history <strong>and</strong> historical sociology, little attention has been paid to the<br />

narration of lives, to the relationship between subjects <strong>and</strong> discursive practices <strong>and</strong> to<br />

the question of narrative worlds <strong>in</strong>to which people are born. Some new ground has been<br />

forged <strong>in</strong> anthropological work. However, it is ma<strong>in</strong>ly with<strong>in</strong> literary studies,<br />

particularly among literary critics <strong>in</strong>terested <strong>in</strong> auto<strong>biography</strong>, more than <strong>in</strong> history <strong>and</strong><br />

the social sciences, that analytical <strong>and</strong> theoretical <strong>in</strong>terest <strong>in</strong> underst<strong>and</strong><strong>in</strong>g lives as<br />

productions has found expression. And, for <strong>biography</strong> to be mean<strong>in</strong>gful to history, it<br />

needs to use these theoretical <strong>in</strong>sights developed with<strong>in</strong> literary <strong>in</strong>terpretation <strong>and</strong><br />

cultural criticism.<br />

Biography <strong>and</strong> narrative<br />

Literary theories of auto/<strong>biography</strong> have had a set of dist<strong>in</strong>ct emphases, which stem<br />

from their concern for the nature <strong>and</strong> expression of subjectivity <strong>and</strong> selves, their <strong>in</strong>terest<br />

<strong>in</strong> the production of narrative, their consideration of these issues <strong>in</strong> relation to a fact‐<br />

fiction dichotomy <strong>and</strong> from a concern to problematise modes of truth presentation. It is<br />

necessary for traditional conceptual <strong>and</strong> discipl<strong>in</strong>ary divides to be transcended <strong>in</strong> order<br />

that the study of pastness through <strong>biography</strong> can move beyond conventional realist<br />

models of great lives as well as the essentialist identities of social history.<br />

<strong>The</strong> sociologist Norman Denz<strong>in</strong> has drawn on the theoretical <strong>in</strong>sights of literary theory,<br />

argu<strong>in</strong>g that it is not enough to assert that biographical coherence is an ‘illusion’. What<br />

must be determ<strong>in</strong>ed, <strong>in</strong>stead, is how life coherence <strong>in</strong> texts is established, what the<br />

sources of this coherence are, <strong>and</strong> how the narratives underp<strong>in</strong>n<strong>in</strong>g them are<br />

110 In her work on ‘complex agency’, Kratz beg<strong>in</strong>s to talk of ‘collective <strong>in</strong>dividuals’; see Cor<strong>in</strong>ne A Kratz,<br />

‘Forg<strong>in</strong>g Unions <strong>and</strong> Negotiat<strong>in</strong>g Ambivalence: Personhood <strong>and</strong> Complex Agency <strong>in</strong> Okiek Marriage<br />

Arrangement’, <strong>in</strong> Ivan Karp <strong>and</strong> D.A. Masolo, eds, <strong>Africa</strong>n Philosophy as Cultural Inquiry.<br />

42

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