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The Individual, Auto/biography and History in South Africa

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ones. 114 Modernity gave rise to lives that can be seen as “biographically ordered”. People<br />

live their lives biographically <strong>and</strong> construct their reality on the basis of <strong>biography</strong>.<br />

Indeed, as Birgitta Svensson has suggested, modern existence can be seen as “ordered as<br />

an autobiographical presentation”. 115 <strong>The</strong> narrated life is characterised by a “struggle<br />

between concordance <strong>and</strong> discordance”, the aim of which is to discover narrative<br />

identity. Through narrative identity, one is able to develop a sense of one’s self as a<br />

subject. 116<br />

Conventionally, a dist<strong>in</strong>ction is made between the life as lived, supposedly <strong>in</strong> an<br />

unmediated way, <strong>and</strong> the life as told through a subsequent process of narration.<br />

However, accord<strong>in</strong>g to Paul Ricoeur, the process of selection <strong>and</strong> narration beg<strong>in</strong>s “<strong>in</strong><br />

life itself, with attention <strong>and</strong> planned activity”. Life is experienced <strong>in</strong> a temporal way.<br />

For Ricoeur, temporality <strong>and</strong> narrativity are mutually imbricated. Literature <strong>and</strong> history<br />

have <strong>in</strong> common the human experience of time, of human “with<strong>in</strong>‐timeness”. Life, for<br />

Ricoeur, “prefigures” narrative. <strong>The</strong>re is a “relation of dynamic circularity” between life<br />

<strong>and</strong> narrative. People are born <strong>in</strong>to a world of narratives, <strong>and</strong> life is lived “<strong>in</strong> quest of<br />

narrative”. 117<br />

We refer to a life‐story as the <strong>in</strong>terval between birth <strong>and</strong> death. However, knowledge<br />

over the past few decades, for the most part, has tended to distance narrative from lived<br />

experience <strong>and</strong> to conf<strong>in</strong>e it to fiction. It is not only history that has a direct relation with<br />

life. Ricoeur argues that fiction contributes to mak<strong>in</strong>g life. He dist<strong>in</strong>guishes between first<br />

order narrative, <strong>in</strong> which “emplotment constitutes the creative centre” <strong>and</strong> narratology,<br />

which is a second order “rational reconstruction of the rules”. This second order is<br />

“always preceded by a narrative underst<strong>and</strong><strong>in</strong>g stemm<strong>in</strong>g from the creative<br />

imag<strong>in</strong>ation”. “<strong>The</strong>re is”, he argues, “a life of narrative activity”. With this, Ricoeur<br />

114 Kwame Anthony Appiah, ‘Cosmopolitan Patriots’, <strong>Africa</strong> Sem<strong>in</strong>ar, University of Cape Town, 24<br />

March 1997, pp 7‐8.<br />

115 Birgitta Svensson, ‘Lifetimes ‐ Life <strong>History</strong> <strong>and</strong> Life Story: Biographies of Modern Swedish<br />

Intellectuals’, Ethnologia Sc<strong>and</strong><strong>in</strong>avica, vol 25, 1995, p 26.<br />

116 David Wood ‘Introduction: Interpret<strong>in</strong>g Narrative’, <strong>in</strong> David Wood (ed), On Paul Ricoeur: Narrative <strong>and</strong><br />

Interpretation, London: Routledge, 1991, p 11.<br />

117 David Wood ‘Introduction: Interpret<strong>in</strong>g Narrative’, pp 16‐17.<br />

44

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