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The Individual, Auto/biography and History in South Africa

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Indeed, it seems as if there is a genealogy of such <strong>in</strong>terventions go<strong>in</strong>g back at least to the<br />

early 1960s. Among first efforts at the production of M<strong>and</strong>ela’s life through <strong>biography</strong><br />

occurred at this time through the work of Mary Benson <strong>and</strong> Ruth First.<br />

Dur<strong>in</strong>g 1957, for some of the duration of the Treason Trial, Mary Benson had worked as<br />

secretary of the Treason Trial’s Defence Fund. By day, dur<strong>in</strong>g the trial, Benson lunched<br />

with defendants <strong>in</strong> a garden opposite the court, while at night she d<strong>in</strong>ed with members of<br />

the defence team. Many years before, she had sought advice from author, Alan Paton,<br />

about <strong>Africa</strong>n people about whom she claimed she was “still hopelessly ignorant”, <strong>and</strong><br />

about how she could meet them. She had also expressed a desire “to work with the<br />

Natives”. 233 <strong>The</strong> Treason Trial afforded her the opportunity to give effect to such desires<br />

on <strong>South</strong> <strong>Africa</strong>n soil.<br />

Much of the publicity <strong>and</strong> support work surround<strong>in</strong>g the Treason Trial took shape as an<br />

emphasis on political personalities. This took the form of photographic portraiture, with<br />

Eli We<strong>in</strong>berg’s collage of group shots of all 156 accused. But it also saw the production of<br />

m<strong>in</strong>i‐profiles of all 156 accused alongside pen‐pictures <strong>in</strong> a publicity booklet published <strong>in</strong><br />

1957. <strong>The</strong>se were of 20‐40 words <strong>in</strong> length, with <strong>in</strong>formation on the birth <strong>and</strong> occupation<br />

of the accused <strong>and</strong> details on their political <strong>in</strong>volvement. <strong>The</strong> profiles were dom<strong>in</strong>ated by<br />

a more extended focus on Albert Luthuli <strong>and</strong> a more prom<strong>in</strong>ent portrait. Grouped<br />

together over seven pages, the m<strong>in</strong>i‐biographies were seen as constitut<strong>in</strong>g “a true cross<br />

section of our people”. 234 It is more than likely that Mary Benson assisted <strong>in</strong> the<br />

preparation of this publication <strong>and</strong> more generally <strong>in</strong> the biographical work that was an<br />

important aspect of solidarity activities around the trial.<br />

<strong>The</strong> Treason Trial also made it possible for Benson to forge “<strong>in</strong>valuable connections” <strong>in</strong><br />

the Congress Movement. <strong>The</strong>se were the connections <strong>and</strong> contacts that enabled her to<br />

233 Mary Benson, A Far Cry: <strong>The</strong> Mak<strong>in</strong>g of a <strong>South</strong> <strong>Africa</strong>n, R<strong>and</strong>burg: Ravan Writers Series, 1996 (First<br />

published <strong>in</strong> 1989), pp 53, 58, 117, 127.<br />

234 <strong>South</strong> <strong>Africa</strong>ʹs Treason Trial, Johannesburg: “<strong>Africa</strong>!” Publications, 1957, especially pp 18‐24. Another<br />

‘biographical’ publication that emerged out of the Treason Trial was Anthony Sampson’s <strong>The</strong> Treason<br />

Cage, published <strong>in</strong> 1958.<br />

273

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