10.12.2012 Views

The Individual, Auto/biography and History in South Africa

The Individual, Auto/biography and History in South Africa

The Individual, Auto/biography and History in South Africa

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

development, a “narrative of <strong>in</strong>ternal homogeneity <strong>and</strong> cross‐temporal consistency”<br />

constructed with a “Cartesian self‐transparency”. 66 Lives were presumed to be<br />

structured by “objective life markers”, reflect<strong>in</strong>g key, critical po<strong>in</strong>ts about the life <strong>in</strong><br />

question. Through these markers, the lives of ‘real’ persons could be “mapped, charted<br />

<strong>and</strong> given mean<strong>in</strong>g”. 67<br />

Another feature of the conventional <strong>biography</strong> was that it presumed that there was a<br />

‘real person’ who lived a life, who was born, perhaps died, <strong>and</strong> who may have<br />

<strong>in</strong>fluenced others. This ‘real person’ was a ‘real subject’, <strong>and</strong> as such, could be written<br />

about. <strong>The</strong> presentation of lives was presumed to be objective, truthful <strong>and</strong> factually<br />

correct, with lives as lived able to be told with reference to objective, verifiable dates. 68<br />

In this realist project, the <strong>in</strong>dividual was produced as authentic self, with an identity<br />

able to generate, <strong>in</strong> Cartesian fashion, its own unique vision of the world: ‘I th<strong>in</strong>k,<br />

therefore I am’. <strong>The</strong> resultant l<strong>in</strong>ear biographical product stood as ‘the truth’ about the<br />

‘real’ <strong>in</strong>dividual’s life. 69<br />

Mary Evans has gone further to argue that the pattern of the conventional, traditional<br />

<strong>biography</strong> was also a mascul<strong>in</strong>ist one. Evans was concerned with issues of gender <strong>in</strong><br />

relation to <strong>biography</strong>, “if women <strong>and</strong> men write the same k<strong>in</strong>d of biographies <strong>and</strong> if<br />

female <strong>and</strong> male subjects are exam<strong>in</strong>ed <strong>in</strong> the same way”. 70 It was male forms of<br />

<strong>biography</strong>, written by both men <strong>and</strong> women, which had been organised along strictly<br />

chronological patterns. <strong>The</strong> subject was usually <strong>in</strong>troduced <strong>in</strong> the context of their<br />

orig<strong>in</strong>al family, from which the person emerged “to take his or her place on the stage of<br />

adult life”. <strong>The</strong> path to adulthood <strong>and</strong> public achievement was ordered so that the<br />

66K Anthony Appiah, ‘Mass Media, Biography, Cultural Memory: Introduction’, <strong>in</strong> Mary Rhiel <strong>and</strong><br />

David Suchoff (eds), <strong>The</strong> Seductions of Biography, pp 10‐11.<br />

67Norman K. Denz<strong>in</strong>, Interpretive Biography (Sage University Paper Series on Qualitative Research<br />

Methods, No 17) Newbury Park, California: Sage, 1989, pp 17‐19.<br />

68Norman K Denz<strong>in</strong>, Interpretive Biography, pp 21‐23.<br />

69For a rather conservative defence of traditional or conventional <strong>biography</strong> <strong>and</strong> its realist concern for the<br />

‘truth’ of people’s lives, see Eric Homberger <strong>and</strong> John Charmley, eds, <strong>The</strong> Troubled Face of Biography,<br />

based on a 1985 conference on ‘Modern Biographyʹ held <strong>in</strong> Brita<strong>in</strong>.<br />

70Mary Evans, ‘Mascul<strong>in</strong>e <strong>and</strong> Fem<strong>in</strong><strong>in</strong>e Biography’, <strong>in</strong> David Ellis (ed), Imitat<strong>in</strong>g Art, p 108.<br />

28

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!