10.12.2012 Views

The Individual, Auto/biography and History in South Africa

The Individual, Auto/biography and History in South Africa

The Individual, Auto/biography and History in South Africa

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

was “tolerably easy”. In fact, he suggested to her that “it dem<strong>and</strong>s much less anxiety than<br />

you give to it.” 11<br />

Tabata went further, however, to expla<strong>in</strong> to Taylor what he thought its significance was.<br />

He was “particularly pleased” to discover the extent to which it was “a compliment, nay<br />

more, a fill<strong>in</strong>g out” of ‘<strong>The</strong> Boycott’. This was without the two works “<strong>in</strong> any way<br />

cross<strong>in</strong>g, clash<strong>in</strong>g or <strong>in</strong>trud<strong>in</strong>g on each other”. He felt compelled to re‐exam<strong>in</strong>e ‘<strong>The</strong><br />

Boycott’, <strong>and</strong> found that it was “too concentrated” for many people “to fully grasp all its<br />

mean<strong>in</strong>g”, even when it is read out to others. <strong>The</strong> Rôle of the Missionaries was needed by<br />

“the bulk” of the people “to br<strong>in</strong>g them up gradually”. It gave “a fuller picture, a more<br />

detailed <strong>and</strong> more rounded explanation of the events”. Tabata felt “even more strongly”<br />

that the work needed to be f<strong>in</strong>ished before ‘<strong>The</strong> Boycott’ went “stale”. <strong>The</strong> two needed to<br />

be “read together”. Tabata admitted that he understood Taylor’s difficulty “<strong>in</strong> be<strong>in</strong>g<br />

forced to bend” her style, <strong>and</strong> “to cast it <strong>in</strong> a different mould”. Taylor’s style dem<strong>and</strong>ed<br />

“the flight of creative imag<strong>in</strong>ation ‐ like Shakespeare’s poet”. <strong>History</strong>, on the other h<strong>and</strong>,<br />

“clips your w<strong>in</strong>gs <strong>and</strong> trammels your feet <strong>in</strong> shrubs of historical data.” 12<br />

In September 1952, Tabata reported to Seymour Papert that Taylor was “deep <strong>in</strong> the work,<br />

which grows”. 13 At the end of 1952, <strong>The</strong> Rôle of the Missionaries <strong>in</strong> Conquest was published<br />

by SOYA <strong>in</strong> Alex<strong>and</strong>ra <strong>and</strong> its anonymous authorship was designated as ‘Nosipho<br />

Majeke’. 14 This pseudonym was carefully chosen by Taylor, perhaps with Tabata’s Xhosa<br />

language assistance, because it approximated a Xhosa‐ised rendition of her own birth<br />

name, Dora Jack. <strong>The</strong> book stimulated “considerable <strong>in</strong>terest”. Letters to SOYA, such as<br />

one from Patrick Duncan, who wrote from Basutol<strong>and</strong>, sent congratulations to Majeke for<br />

“her masterly treatment of the subject” <strong>and</strong> expressed hopes of be<strong>in</strong>g “<strong>in</strong> regular contact”<br />

with her. <strong>The</strong> Congress Youth League agreed it was “a good book”, which served “a<br />

11 I.B. Tabata to Dora Taylor, 23 July 1952, I.B. Tabata Collection, BC 925.<br />

12 I.B. Tabata to Dora Taylor, 23 July 1952, I.B. Tabata Collection, BC 925.<br />

13 I.B. Tabata to Seymour Papert, 19 September 1952, I.B. Tabata Collection, BC 925.<br />

14 Nosipho Majeke (Dora Taylor), <strong>The</strong> Rôle of the Missionaries <strong>in</strong> Conquest, Alex<strong>and</strong>ra, Johannesburg;<br />

Society of Young <strong>Africa</strong>, 1952. I would like to thank Irw<strong>in</strong> Combr<strong>in</strong>ck for giv<strong>in</strong>g me his rare, orig<strong>in</strong>al<br />

copy of this publication on long loan.<br />

401

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!