30.10.2013 Aufrufe

Kontaktzonen der Geschichtsvermittlung Transnationales Lernen

Kontaktzonen der Geschichtsvermittlung Transnationales Lernen

Kontaktzonen der Geschichtsvermittlung Transnationales Lernen

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Contact zones of mediating history. Transnational learning about the Holocaust<br />

in the post-Nazi migration society<br />

How can the mass crimes by the Nazis and the Second World War be mediated in<br />

today’s migration society? What is the role of young people and pupils in this<br />

process? In what kind of ways can the national traditions of historiography be extended<br />

and questioned by transnational perspectives? What is their meaning for the present?<br />

In her PhD thesis Nora Sternfeld develops a theoretical framework for a new<br />

approach to the current practice of mediating the history of the Holocaust. Her analysis<br />

focuses on perspectives that <strong>der</strong>ive from the recognition of the migration society<br />

and its implications for the cultures of remembrance in a shared present.<br />

The thesis is located between theory and practice and based on the research<br />

and education project “’And what does this have to do with me?’ Transnational<br />

images of NS–history”, which was conducted between September 2009 and August<br />

2011 by trafo.K – a Viennese office for education and critical knowledge production –<br />

and financially supported by the funding programme Sparkling Science of the Fe<strong>der</strong>al<br />

Ministry for Science and Research.<br />

Against the background of experiences in the practice of mediating history,<br />

developments and approaches of teaching history, Holocaust Education, pedagogy of<br />

memorials, historical-political education, migration pedagogy and cultural mediation<br />

are meticulously examined and critically reflected.<br />

To do this, Nora Sternfeld uses the concept of “contact zones”, developed by<br />

Mary Louise Pratt and James Clifford, which serves as a tool that is used in recent<br />

years to think of museums and the learning process as sites of negotiating shared<br />

histories. These postcolonial claims are consi<strong>der</strong>ed and rethought for memorials and<br />

educational situations.<br />

This process creates spaces in which it is possible to debate what has happened<br />

and to negotiate about the meaning of the past for the present.<br />

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