Kontaktzonen der Geschichtsvermittlung Transnationales Lernen
Kontaktzonen der Geschichtsvermittlung Transnationales Lernen
Kontaktzonen der Geschichtsvermittlung Transnationales Lernen
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Contact zones of mediating history. Transnational learning about the Holocaust<br />
in the post-Nazi migration society<br />
How can the mass crimes by the Nazis and the Second World War be mediated in<br />
today’s migration society? What is the role of young people and pupils in this<br />
process? In what kind of ways can the national traditions of historiography be extended<br />
and questioned by transnational perspectives? What is their meaning for the present?<br />
In her PhD thesis Nora Sternfeld develops a theoretical framework for a new<br />
approach to the current practice of mediating the history of the Holocaust. Her analysis<br />
focuses on perspectives that <strong>der</strong>ive from the recognition of the migration society<br />
and its implications for the cultures of remembrance in a shared present.<br />
The thesis is located between theory and practice and based on the research<br />
and education project “’And what does this have to do with me?’ Transnational<br />
images of NS–history”, which was conducted between September 2009 and August<br />
2011 by trafo.K – a Viennese office for education and critical knowledge production –<br />
and financially supported by the funding programme Sparkling Science of the Fe<strong>der</strong>al<br />
Ministry for Science and Research.<br />
Against the background of experiences in the practice of mediating history,<br />
developments and approaches of teaching history, Holocaust Education, pedagogy of<br />
memorials, historical-political education, migration pedagogy and cultural mediation<br />
are meticulously examined and critically reflected.<br />
To do this, Nora Sternfeld uses the concept of “contact zones”, developed by<br />
Mary Louise Pratt and James Clifford, which serves as a tool that is used in recent<br />
years to think of museums and the learning process as sites of negotiating shared<br />
histories. These postcolonial claims are consi<strong>der</strong>ed and rethought for memorials and<br />
educational situations.<br />
This process creates spaces in which it is possible to debate what has happened<br />
and to negotiate about the meaning of the past for the present.<br />
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