Arqueologia del Pais Valenciano: panorama y perspectivas

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FECHAS RELATIVAS 25.000 20.000 15.000 10.000 5.000 4.000 3.500 3.000 2.500 2.000 ÍNDICE Arqueología del País Valenciano: panorama y perspectivas ETAPAS CARACTERÍSTICAS Gravetense Solutrense Magdalenense Neolítico Transición ARTE LEVANTINO Grabados trazo simple y múltiple Dobles contornos Cuernos visión lateral Angulares Trazo múltiple. Estriados Contornos dobles Cuellos largos, cabezas pequeñas Rectángulos Trazo simple y en “espinado” Acabado de las figuras, realismo Haces lineales Serpentiformes –Grabado: Epipaleolítico Haces de líneas asociados en relación con un eje –Pintura: Trazos angulosos y manchas Fig. humanas traje talar, cab. Redonda Fig. humanas miembros flexionados zig-zag Series líneas onduladas con maniformes Ondulados paralelos. Oculiformes Zona andaluza: Pectiformes, cabras y trazos Zona levantina: Tintas planas: cabras y barras Tintas planas. Estatismo Arqueros fálicos tocados de plumas M. con faldas de tubo Ciervos y cabras Etapas animalísticas Figuras de trazo simple Figuras de tinta plana Grandes toros y ciervos Arqueros dinámicos, arcos simples y biconvexos M. faldas acampanadas Triunfo de la escena 382
FECHAS RELATIVAS 1.500 1.000 750 ÍNDICE Francisco Jordá Cerdá El arte prehistórico de la región valenciana ETAPAS CARACTERÍSTICAS ARTE LEVANTINO Figuras listadas Faldas de tubo Ciervos Tintas planas negras o rojo negruzco Figuras dinámicas. Arqueros y danzantes Arcos simples y biconvexos Ciervas Trazo lineal caligráfico. Dinamismo Arqueros arco simple o biconvexo. Jinetes Caballo, ciervos, cabras to de las escenas, como de los personajes. Esta nueva tendencia estilística aparece claramente representada en la región valenciana, especialmente en Valencia y Castellón. Los abrigos de Voro, La Araña, Dos Aguas, Cova Remigia, La Gasulla, La Valltorta, etc., son los representantes de esta fase de microfiguras, en las que a la ligereza del dibujo se une el interés por la composición, en la que dominan la disposición de las figuras en líneas oblicuas -líneas de fuga- que construyen conjuntos dispuestos trapezoidalmente. Se trata de un primitivo y primer intento de ensayar la perspectiva en una composición artística. Este arte lleno de vida, que mediante elementales y caligráficas figuras plantea problemas de composición y que traduce en sencillas escenas la vida diaria de los pueblos que fue- 383
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Arqueología del País Valenciano:
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ARQUEOLOGÍA DEL PAÍS VALENCIANO:
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Índice El arte prehistórico de la
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Presentación ÍNDICE Presentación
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Presentación vaciones, la publicac
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Presentación con el material de gr
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ÍNDICE María Victoria Goberna Arq
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María Victoria Goberna Arqueologí
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ÍNDICE María Victoria Goberna Arq
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Bibliografía María Victoria Gober
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ÍNDICE F. J. Fortea Pérez El Pale
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F. J. Fortea Pérez El Paleolítico
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Bernardo Martí Oliver Los estudios
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Bibliografía Bernardo Martí Olive
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Ana Mª Muñoz Amilibia El Eneolít
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ÍNDICE Mauro S. Hernández Pérez
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Mauro S. Hernández Pérez La Edad
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cronología de Mas d’Abad no pued
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ta, lengüetas y, sobre todo, mamel
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de una ordenación tipológica y al
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Page 331 and 332: Mauro S. Hernández Pérez La Edad
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Alfredo González Prats Los nuevos
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Carmen Aranegui Gascó El hierro an
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ÍNDICE Carmen Aranegui Gascó El h
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ÍNDICE Carmen Aranegui Gascó El h
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Manuel A. Rabanal Alonso Fuentes li
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Traducción: Iberias... Aristófane
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TEXTO 10: Paradoxogr. Vatic. Rohdii
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ÍNDICE Manuel A. Rabanal Alonso Fu
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Pedro A. Lillo Carpio La cultura ib
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1.- Historia del desciframiento de
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Seguidamente insertamos dos cuadros
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puesto que los alfabetos tartésico
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YACIMIENTO TAMAÑO MUSEO JONICO S.E
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Fuentes numismáticas: A. La moneda
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después de algunos pequeños artí
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transversales. También se ha ident
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ación de un cuerpo de vigilantes a
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dicado por Vigil es de procedencia
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La sede de Eliocroca Enrique A. Llo
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ISIDORUS HISPALENSIS EPS. De Viris
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R. Azuar Ruiz Arqueología medieval
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da como tierra de labor, hasta el s
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Arqueologia del Pais Valenciano: panorama y perspectivas

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