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ICOM International Council of Museums - International Institute for ...

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THE MUSEUM OBJECT AS HISTORICAL SOURCE ANDDOCUMENTIvo Maroević - University <strong>of</strong> Zagreb, Faculty <strong>of</strong> Philosophy, Chair <strong>of</strong>Museology - CroatiaAbstractMuseum object is the object <strong>of</strong> any reality, collected and preserved in the museologicalcontext to be the document <strong>of</strong> that reality. Museum is the institution in which weactualize and communicate the past using museum objects. In aim to realize thismission and to develop the understanding <strong>of</strong> a historical diversity, we constantlyresearch the historic identity <strong>of</strong> museum objects and develop the ways and methods <strong>of</strong>interpreting their meanings.There are three main dimensions <strong>of</strong> interpreting and communicating the history inmuseums: the time, the space and the society. Concerning time, we try to understandany time <strong>of</strong> the museum's object life, searching <strong>for</strong> the important points in which theobject participated in historical events. The space is a horizontal scope <strong>of</strong> any timeperiod. Every time has different spatial frameworks as: urban, rural, natural, political orany other scope to be identified. The objects reflect the relations <strong>of</strong> their life inside oroutside the building. The society denotes relationships among people or groups <strong>of</strong>people and the role <strong>of</strong> objects within any <strong>of</strong> the social environment. Its characteristicshave been changed concerning time and space, as well as the social development.Museum objects participate in every <strong>of</strong> these dimensions or their interrelations. Usingtheir basic characteristics: material, <strong>for</strong>m and meaning, we can understand thesignificance <strong>of</strong> the object. The material has been changing through the time,documenting it simultaneously. The <strong>for</strong>m is a part <strong>of</strong> the space, outer or indoors, withthe function to participate as a tool, furniture, decoration etc. <strong>of</strong> various historicenvironments. The meaning or the importance has the direct relationship with society inany <strong>of</strong> its <strong>for</strong>ms: from a family to the nation or the race.So, the museum object is always a certain historical source and a document <strong>of</strong> life,events or any human actions. Any object can be historic document, concerning itshistorical and social identity. The classification on: artefacts, objects <strong>of</strong> art,archaeological, natural or any other kind <strong>of</strong> objects is not relevant, if we want tointerpret the history in museums. The most important is their historical evidence, andtheir ability to be the witnesses <strong>of</strong> a historical event, process or time concerned.IntroductionThe museum object is a basic component <strong>of</strong> the museum objects’ collective fund,irrespective in which collection it is located, kept and explored. Its basic definition isthat it is taken out <strong>of</strong>, transferred, from the primary or the archaeological into themuseological context (van Mensch, 1992:135), in which new context it no longer haseither its basic or secondary use function, does not serve the purpose <strong>for</strong> which it wasmade, but has adopted the in<strong>for</strong>mation or communication function characteristics <strong>of</strong> themuseological context. In other words, the item that is musealised starts to be looked atand studied in a different way, leading to a rise in its field <strong>of</strong> museal definiteness, adecline in its field <strong>of</strong> museal indefiniteness. This means that the object takes on certainnew, museological, functions, its origin, appearance and state <strong>of</strong> preservation beingjust some <strong>of</strong> the input parameters <strong>for</strong> the definition <strong>of</strong> its significance.332

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