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ICOM International Council of Museums - International Institute for ...

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MUSEO E HISTORIA:DEL OBJETO A LOS DISCURSOS Y PRÁCTICAS.Gloria Paz Núñez Rodríguez y Luis Alegría - ChileAbstractOur proposal is to talk about the museum as a space <strong>of</strong> patrimonial construction, as init objects acquire a special value. Such value is the result <strong>of</strong> the process <strong>of</strong> becomingpatrimony, that is, the moment in which they are given a symbolic value thattrans<strong>for</strong>ms them in a legitimate testimony <strong>of</strong> the past . Patrimony (heritage) isconsidered as “the group <strong>of</strong> values, credence and goods”, socially and historicallyrenowned (re-signified), a fact that allows the construction <strong>of</strong> a new reality.The Museum is a cultural institution that takes part <strong>of</strong> a major social space that is calledthe patrimonial field, that is, a space structured as a system <strong>of</strong> relations in competitionand conflict between groups. In this space, the museum is a central institution, as anagent that produces patrimony and, there<strong>for</strong>e, it is not considered as a neutral space.A basic element <strong>of</strong> the objects that constitute a museum collection is thedocumentation they possess, that allows different readings on such objects. Besides, ittrans<strong>for</strong>ms them: on one hand, in documents <strong>of</strong> society as they carry in<strong>for</strong>mation aboutits history, and on the other hand in monuments, as its re-invention at the interior <strong>of</strong> themuseum obeys to a discourse that commemorates this past.Museology not only corresponds to museum science but, in a wider sense, to a science<strong>of</strong> all which is museable, that is to say, patrimony. But a study <strong>of</strong> museums andpatrimony corresponds to a study <strong>of</strong> society in general, since the symbolic dimensionthat they represent also constitutes part <strong>of</strong> that reality. Documentation is a basicelement, not only because <strong>of</strong> the in<strong>for</strong>mation about the objects itself, but also because<strong>of</strong> the interventions that have been done over them, giving account <strong>of</strong> patrimonialdiscourses and practices in a major frame <strong>of</strong> society development.The aim <strong>of</strong> our research at the Museo Histórico Nacional is framed upon updating ahistory <strong>of</strong> the museum and its collections, presenting the museum as a space <strong>of</strong>cultural production and, as such, identifying its contribution to the construction ourcountry´s cultural patrimony.1. El Museo como lugar de construcción de patrimonio.Hablar del museo como espacio de construcción de patrimonio nos propone unanueva mirada sobre su función social. Dicha mirada tendrá como acento comprendertanto al museo y al patrimonio como categorías en proceso, además de asumir unenfoque crítico de sus funciones históricas. “El museo ha ejercido un determinado rolsocial a lo largo de su historia, reflejando el poder de la iglesia o del Estado en unoscasos, <strong>of</strong>reciendo la posibilidad de investigación y estudio a los medios universitarios oescolares, en otros o mostrándose sencillamente como espejo de variedad deintereses -locales, colectivos, individuales…-, en una sociedad que en ciertosmomentos simbolizaba y consagraba la magnificencia y el estatus social delcoleccionista, y que erigía el museo como un monumento glorificador de la ciudad”(Fernández, 1999: 142).378

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