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臺灣東亞文明研究學刊 - 東亞經典與文化研究計畫 - 國立臺灣大學

臺灣東亞文明研究學刊 - 東亞經典與文化研究計畫 - 國立臺灣大學

臺灣東亞文明研究學刊 - 東亞經典與文化研究計畫 - 國立臺灣大學

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黃 俊 傑鄡 中 日尤 文尠 化 交岾 流却 史屰 中 「 自 我 」 與弌 「 他 者 」 的 互 動 : 類讅 型勨 及 其 涵 義 87<br />

Abstract<br />

This paper is an attempt at identifying the types of tension in the interactions<br />

between the "self" and the "others" in East Asia as a "contact zone" in the period<br />

between seventeenth and twentieth century. Special attention is devoted to the<br />

political and cultural aspects in the clashes between the "self" and the "others" in<br />

modern China and Japan.<br />

Four types of tensions between the "self" and the "others" in East Asia can be<br />

observed, namely, (a). the tension between "political self" and "cultural self" as<br />

manifested in Yamazaki Ansai (1618-1682); (b). the tension between "cultural self"<br />

and "cultural others" as seen in Itō Jinsai (1627-1705) and Oyū Sorai (1666-1728);<br />

(c). the tension between "political self" and "political others" as seen in Li<br />

Chunseng (1834-1924) in the early years of Japanese colonization in Taiwan (1895-<br />

1945) and (d). the tension between "cultural others" and "political others" as<br />

revealed in the Japanese sinilogists Naitō Konan (1866-1934) and Uno Tetsuto<br />

(1875-1974).<br />

It can readily be observed that China stands out as the "inevitable other" in the<br />

cultural and political interactions among East Asian countries in modern times.<br />

However, many East Asian intellectuals fail in distinguishing clearly the "China" as<br />

an imagined community from the "China" as reality. It is also observed that in the<br />

complex interactive processes in cross-cultural context, the "cultural self" was of<br />

primal important and played the most fundamental role.<br />

iii

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