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254<br />

L3<br />

央<br />

Ō<br />

center<br />

5 strokes<br />

CHŪŌcenter<br />

CHŪŌBUcentral part<br />

CHŪŌguchicentral exit<br />

OBI ; bronze . Opinions differ. In broad<br />

terms, Mizukami, Katō and Yamada agree that<br />

this graph consists of variant for 56 ‘big’<br />

for person standing upright with as phonetic<br />

element positioned centrally just above the<br />

shoulders with associated sense ‘straight,<br />

upright’. Graph meaning is ‘neck, back of neck’,<br />

and as the neck is positioned centrally, neither<br />

to left nor right, the extended sense ‘center’<br />

evolved. Tōdō interprets differently, including<br />

within a word-family ‘restrain’, taking the<br />

element across the top of the shoulders as a<br />

restraining device for criminals (see also <br />

449); Ogawa also favors this analysis. With this<br />

view, ‘center’ may still be seen as extended<br />

usage. MS1995:v1:298-9; KJ1970:76-7;<br />

YK1976:72; TA1965:404-7; OT1968:244.<br />

Mnemonic: BIG MAN WITH THICK NECK AT<br />

THE CENTER OF THINGS<br />

255<br />

L3<br />

横<br />

Ō, yoko<br />

side, crossways<br />

15 strokes<br />

ŌDANcrossing<br />

yokonoririding sidesaddle<br />

yokogaoprofile<br />

256<br />

屋<br />

OKU, ya (in compounds)<br />

store, building, dealer<br />

L4<br />

9 strokes<br />

OKUJŌroof<br />

koyahut, shed<br />

PANyabaker(y)<br />

No OBI or bronze forms, but other forms – possibly<br />

pre-Shuowen – exist, e.g. , . Taken as<br />

(NJK graph) ‘person slumped or bent or lying<br />

A late graph (Shuowen) . Traditional: .<br />

Has 73 ‘tree, wood’, and 133 (‘yellow’) as<br />

phonetic with associated sense ‘stop, obstruct’.<br />

Original meaning is horizontal door bolt, and<br />

by extension ‘crossways, side’. KJ1970:324-5;<br />

YK1976:74.<br />

Mnemonic: YELLOW PIECE OF WOOD LAID<br />

ON ITS SIDE<br />

down/ corpse’, with either: a) 厔 , an abbreviated<br />

version of 152 ‘room’, combining to give ‘a<br />

room to lie down in’, and by extension ‘house’,<br />

etc. (Ogawa, Katō, Yamada); or b) 886 ‘arrive/<br />

reach’ (Shirakawa), to give ‘(decide by ritual<br />

process) a place to lie down’. OT1968:296-7;<br />

KJ1970:324-5; YK1976:74; SS1984:67.<br />

Mnemonic: ARRIVE AT STORE AND FIND<br />

DEALER’S CORPSE IN BUILDING<br />

257<br />

L3<br />

<br />

<br />

<br />

温<br />

ON, atatakai/meru<br />

warm<br />

12 strokes<br />

ONSENhot springs<br />

ONJŌkindness<br />

ONSHITSUhothouse<br />

OBI forms , . Traditional . Typically treated<br />

as quite late in origin. Seal form onwards<br />

consists of 42 ‘water’, with as phonetic;<br />

generally, taken as associated sense unclear<br />

and the whole graph originally representing<br />

a specific river name, then loaned for ‘warm’.<br />

Mizukami, however, lists the above OBI forms<br />

as showing someone with water in a bath-like<br />

container, regards associated sense of the<br />

phonetic as ‘warm’, and takes the meaning<br />

as ‘river with warm current’ or ‘steamy warm<br />

water’. He also treats the same OBI form as the<br />

earliest form of 625 ‘bathe’, listing different<br />

shapes for and only at the seal stage.<br />

MS1995:V2,772-3; KJ1970:114; YK1976:76. We<br />

suggest taking the modern graph as 42<br />

‘water’, 66 ‘sun’, and 300 ‘bowl’.<br />

Mnemonic: SUN WARMS WATER IN A BOWL<br />

108 The 200 Third Grade Characters

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