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154<br />

L4<br />

<br />

<br />

<br />

弱<br />

JAKU, yowai/meru<br />

weak<br />

10 strokes<br />

JAKUTENweak point<br />

yowamiweakness<br />

yowamushiweakling<br />

Late occurrence (Shuowen). The early form (seal<br />

script) is made up of two bows each with<br />

the three-stroke ‘embellishment’ 115, and<br />

this leads Shirakawa to interpret the graph as<br />

depicting two ceremonial bows, i.e. ones not<br />

for use in warfare and therefore not robust, giving<br />

the sense of ‘weak’. Ogawa takes the early<br />

graph as representing a bow being bent on a<br />

frame so it could flex, then embellished, and by<br />

extension ‘weak’. SS1984:398; OT1968:340. We<br />

suggest taking as double ‘ice determinative’<br />

401.<br />

Mnemonic: ICED-UP BOWS ARE WEAK,<br />

DOUBLY SO<br />

155<br />

首<br />

SHU, kubi<br />

head, neck, chief<br />

L4<br />

9 strokes<br />

SHURYŌleader<br />

kubiwanecklace<br />

kubikiridecapitation<br />

OBI , ; bronze . OBI forms clearly depict<br />

the head of an animal, some with horns<br />

(Karlgren). Some scholars (e.g. Mizukami,<br />

Shirakawa, Qiu) tend to see some bronze<br />

forms as showing hair attached to a person’s<br />

head or eye. ‘Chief’ is an extended meaning.<br />

MS1995:v2:1462-4; SS1984:401; QX2000:178;<br />

MR2007:401; BK1957:283-4. We suggest taking<br />

modern form as 150 ‘self/nose’ with brow<br />

and horns.<br />

Mnemonic: A NOSE, BROW AND HORNS<br />

SIGNIFY A HEAD<br />

156<br />

秋<br />

SHŪ, aki<br />

and Ogawa list a complex graph made up of <br />

autumn<br />

87 ‘grain plant’ on the left and ‘turtle’ over <br />

L4<br />

9 strokes<br />

8 ‘fire’ on the right, taking the right-hand part<br />

as a phonetic for ‘burn’ or ‘gather’, though Qiu<br />

BANSHŪlate autumn<br />

considers this to be a corrupt variant. Mizukami<br />

SHŪBUNautumn equinox<br />

and Katō also list several simpler OBI forms that<br />

akizoraautumn sky<br />

appear to depict a bundle of grain plants ,<br />

and this can be more readily seen as referring<br />

to harvesting cereals, and by extension the<br />

season, autumn. MS1995:v2:962-4; QX2000:234;<br />

MR2007:424; SS1984:407; OT1968:730-1.<br />

Much variation in elements of OBI forms such as<br />

, , and also varied interpretations. Complex<br />

OBI forms seem to show fire under some sort<br />

of creature, which Qiu interprets as a hornless<br />

dragon, but Ma takes as a cricket: quite possibly<br />

this element served as a phonetic. Shirakawa<br />

Mnemonic: RICE PLANTS (OR INSECTS!) CAN<br />

GET BURNED IN AUTUMN<br />

157<br />

週<br />

SHŪ<br />

A late graph (post-Shuowen). Has 85 ‘walk,<br />

week<br />

go’, and 532 ‘around’ as phonetic with associated<br />

sense ‘go round’. The extended usage for<br />

L5<br />

11 strokes<br />

‘week’ based on going round one cycle, in this<br />

SHŪKANweek<br />

case a seven-day period, evolved through West -<br />

SENSHŪlast week<br />

ern influence, as traditionally in China and Japan<br />

NISHŪmesecond week<br />

a ten-day cycle had been the norm (see 1472).<br />

KJ1970:1514-5; YK1976:253; SS1984:409;<br />

DJ2009:v3:1069.<br />

Mnemonic: ANOTHER WEEK GOES ROUND<br />

84 The 160 Second Grade Characters

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