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387<br />

波<br />

HA, nami<br />

wave<br />

L3<br />

8 strokes<br />

SHŪHAfrequency<br />

ONPAsound wave<br />

naminorisurfing<br />

388<br />

配<br />

HAI, kubaru<br />

distribute<br />

L3<br />

10 strokes<br />

SHINPAIworry<br />

HAITATSUdelivery<br />

kubaritecard dealer<br />

OBI ; seal . Has 318 ‘wine jar, wine’, and<br />

right-hand element showing a kneeling person.<br />

Ma interprets original meaning as ‘person<br />

wanting wine badly’, while Mizukami takes<br />

right-hand element as having associated sense<br />

‘serve, accompany’, and regards ‘distribute’ as a<br />

389<br />

L3<br />

<br />

<br />

<br />

倍<br />

BAI<br />

double, -fold<br />

10 strokes<br />

GOBAIfive-fold<br />

BAIKAdoubling<br />

BAISŪmultiple<br />

Seal ; a late graph (Shuowen). Has 41 ‘person’,<br />

and 咅 (a CO meaning ‘spit’) as phonetic<br />

390<br />

箱<br />

hako<br />

box<br />

L3<br />

15 strokes<br />

kobakolittle box<br />

hakobuneark<br />

hakoiriboxed<br />

Seal ; a relatively late graph (Shuowen).<br />

Has 58 ‘bamboo’, and 348 (‘mutual’) as<br />

a phonetic with associated sense ‘face each<br />

sometimes been taken as 囟 ‘fontanelle/skull’<br />

(see 147 ‘think’), but this is a miscopying<br />

or misinterpretation of in the bronze forms<br />

(Katō). MS1995:v2:1280-81; KJ1970:738-9;<br />

MR2007:263; YK1976:406-7; AS2007:49. We suggest<br />

using 279 ‘bend’ (though incorrect), <br />

as a slope, and the lower part as a scythe.<br />

Mnemonic: FARMING INVOLVES BENDING<br />

AND CUTTING ON SLOPES<br />

Seal ; a late graph (Shuowen). Has 42<br />

‘water’, and 396 (‘skin, hide’) as phonetic<br />

with associated sense ‘move up and down,<br />

heave’. In Tōdō’s word-family ‘be covered with;<br />

skewed, slanting’. YK1976:407; OT1968:567;<br />

TA1965:658-60.<br />

Mnemonic: WAVES FORM ‘SKIN’ OF WATER<br />

loan usage. Other commentators, though, are<br />

typically more cautious on how to interpret<br />

this graph, as there are no examples of usage<br />

in the Chinese classics to help analysis. At the<br />

bronze stage, in some occurrences the shape<br />

of the ‘person kneeling’ element changed; this<br />

change is reflected in the seal form, which was<br />

then rendered as 866 (‘self’) in block script.<br />

MR2007:522; MS1995:v2:1346-7; KJ1970:798-9;<br />

YK1976:410.<br />

Mnemonic: DISTRIBUTE WINE TO<br />

ONESELF – WHILE KNEELING<br />

with associated sense ‘oppose, rebel’. Original<br />

meaning of the graph is ‘oppose, rebel’, but<br />

Tōdō gives a classical reference to support the<br />

sense ‘multiply’, as does Schuessler. KJ1970:758-<br />

9; YK1976:411-2; OT1968:71; TA1965:158;<br />

AS2007:159. We suggest taking 咅 as 77 ‘<br />

stand’ and 22 ‘open mouth’.<br />

Mnemonic: PERSON STANDS OPEN-<br />

MOUTHED AT DOUBLE<br />

other’, which is taken as referring to the long<br />

rails on either side of an oxcart. The graph <br />

was originally used to denote the part of an oxcart<br />

used for carrying goods (Katō, Shirakawa),<br />

and since this was box-like in shape, by extension<br />

the meaning ‘box’ evolved. MS1995:990-91;<br />

KJ1970:551; SS1984:548.<br />

Mnemonic: BAMBOO SIDES MUTUALLY OP-<br />

POSED IN BOX<br />

140 The 200 Third Grade Characters

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