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1034<br />

淫<br />

IN, midara na<br />

lewd, indecent, excess<br />

L1<br />

11 strokes<br />

INRANlechery<br />

IN’YOKUsexual desire<br />

TAINlustfulness<br />

Seal ; late graph (Shuowen). Has 42<br />

‘water, liquid’, and 㸒 (itself comprising [<br />

1739] normally ‘claw’, but here ‘hand’, with<br />

777 [spindle] as phonetic with associated<br />

sense ‘want’, giving ‘take what one wants’<br />

[Katō]) taken as phonetic with associated sense<br />

interpreted variously, as follows: i] ‘ooze out’; ii]<br />

‘water soaks in’ (Mizukami lists both i] and ii]);<br />

iii] ‘put in with some strength/forcefully’; iv]<br />

‘heavily indulge in’ (Mizukami). All these interpretations<br />

are seen to involve a connotation of<br />

‘excess’. Associated senses i] to iii] above give<br />

overall meaning ‘water oozes out’, ‘water soaks<br />

in’, while iv] gives ‘be heavily addicted to evil<br />

ways’; the latter is probably a later meaning, but<br />

now main one. KJ1970:64-5; MS1995:v2:756-7;<br />

OT1968:583; AS2007:573.<br />

Mnemonic: HANDLING SPINDLE IN WATER<br />

SEEN AS EXCESSIVELY LEWD<br />

1035<br />

L1<br />

<br />

<br />

<br />

1036<br />

隠<br />

IN, kakureru/su<br />

hide<br />

L1<br />

14 strokes<br />

INKYOretirement<br />

INJAhermit<br />

kakureGArefuge<br />

Seal ; late graph (Shuowen); traditional . Has<br />

() 1907 ‘hill, piled earth’, and (CO, ‘be sad/<br />

1037<br />

L1<br />

<br />

<br />

<br />

陰<br />

11<br />

INKIgloom, sadness<br />

INBUprivate parts<br />

kageguchibackbiting<br />

韻<br />

IN<br />

rhyme, tone<br />

19 strokes<br />

INBUNpoetry<br />

INRITSUrhythm<br />

ON’INphoneme<br />

IN, kage<br />

shadow, secret,<br />

negative, dark<br />

strokes<br />

Seal . Has () 1907 ‘hill, piled-up earth’,<br />

and (itself the earliest way of writing ) as<br />

semantic and phonetic, meaning ‘dark’, giving<br />

‘dark side of a hill’, and hence ‘shade, shadow’.<br />

By extension, ‘secret’. In Chinese culture, also<br />

denotes the dark, negative principle (yin)<br />

in contrast to the bright, positive one (<br />

yang; see 429). Mizukami lists bronze equivalents<br />

also. MS1995:v2:1396-7; OT1968:1068;<br />

TA1965:815-23. Suggest take right side as <br />

138 ‘now’ and NJK ‘say, tell’ (also ‘cloud’: see<br />

83).<br />

Mnemonic: IN THE DARK SHADOWS OF THE<br />

HILLS WE CAN NOW TELL SECRETS<br />

in anguish, lament’) as phonetic with associated<br />

sense ‘hide’, giving ‘hide on a hill’; sense later<br />

generalized to ‘hide’. Shirakawa, in contrast,<br />

adopts a characteristically idiosyncratic, ritualistic<br />

interpretation. OT1968:1074; KJ1970:62;<br />

ZY2009:v2:363; SS1984:34-5. Suggest take both<br />

and as hands, with 164 ‘heart/feelings’.<br />

Mnemonic: HIDE IN THE HILLS, BOTH HANDS<br />

ON HEART<br />

Seal ; late graph (later version of Shuowen).<br />

Has 6 ‘sound’, and 248 (originally,<br />

‘round-necked vessel’; now ‘member, official’)<br />

as phonetic with associated sense ‘harmonize;<br />

rounded, mild’, giving ‘harmonious/mild sound’.<br />

KJ1970:57; OT1968:1100; SS1984:36.<br />

Mnemonic: OFFICIAL’S RHYME SOUNDS TO<br />

HAVE TONE TO IT<br />

314 The Remaining 1130 Characters

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