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1886<br />

L1<br />

罷<br />

HI, makaru<br />

cease, leave, go<br />

15 strokes<br />

HIGYŌstop-work, strike<br />

HIMENdismissal<br />

makarideruwithdraw<br />

Seal ; late graph (Shuowen). Has () 570<br />

‘net’, with 787 (‘ability’, see also ‘bear’ <br />

1252) as phonetic with associated sense taken<br />

as i] ‘withdraw’, thus original meaning ‘remove<br />

a net’ (Ogawa), or ii] ‘withdraw, abandon’, thus<br />

‘abandon net previously set up’ (Katō). However,<br />

Shirakawa takes here as showing wild<br />

animal caught in net, thus meanings such as<br />

‘tire’ and ‘give up’, but this is at odds with his<br />

separate analysis of as an independent<br />

graph, for which he takes the original meaning<br />

as ‘aquatic insect’. OT1968:796; KJ1970:690-91;<br />

SS1984:715,675. We suggest taking as a<br />

bear.<br />

Mnemonic: CEASE WORK AND GO, LEAVING<br />

BEAR IN NET<br />

1887<br />

L1<br />

避<br />

HI, sakeru<br />

avoid<br />

16 strokes<br />

KAIHIavoidance<br />

FUKAHIunavoidable<br />

HININcontraception<br />

OBI ; seal . OBI form has ‘go’, combining<br />

with elements for ‘person’ and ‘needle’<br />

(see Note below). At the seal stage, was<br />

replaced by 85 ‘go, move’ as determinative<br />

(same meaning), and also by (NJK, ‘submit<br />

to punishment’) as phonetic with associated<br />

sense ‘lean/move to one side’, giving ‘move to<br />

one side and avoid’. Note: In one analysis, OBI<br />

forms of consist of an element equivalent<br />

to 41 ‘kneeling/subservient person’,<br />

combined with another element considered<br />

to be similar to 1535 (originally, needle for<br />

tattooing foreheads of slaves and criminals)<br />

but different, yet still meaning ‘punishment’<br />

(Katō); the overall meaning is ‘submit to<br />

punishment; punishment’. Shirakawa inter-<br />

prets the element similar to to denote a<br />

curved knife (Gu also takes to be knife for<br />

punishment), combined with 256 ‘person<br />

lying stretched out’ here signifying a person in<br />

side profile, and a roundish element which he<br />

takes as a piece of flesh cut off from behind.<br />

The roundish element, similar to 22 ‘mouth;<br />

cavity, orifice’ and rare in OBI, becomes more<br />

common in bronze (typically, rather more<br />

rounded). In similar vein to Shirakawa there is<br />

an interpretation of which involves taking<br />

the roundish element next to a bending figure<br />

as ‘anus’, combined with (originally, ‘needle<br />

for tattooing criminals’, and by extension<br />

‘penetration’), giving ‘anal penetration’ (again<br />

as a form of punishment). OT1968:1016;<br />

TA1965:518; MS1995:v2:1312-13,1276-7;<br />

KJ1970:841-2; SS1984:510-11,766.<br />

Mnemonic: MOVE TO AVOID NEEDLE IN THE<br />

ANUS!!<br />

Or: GO AWAY TO AVOID PUNISHMENT<br />

1888<br />

尾<br />

BI, o<br />

tail<br />

L1<br />

7 strokes<br />

BIKOTSUtailbone, coccyx<br />

KŌBIcopulation<br />

shippo*tail<br />

OBI ; seal . Interpreted as depicting the<br />

tail of an animal in one view (Shirakawa).<br />

However, it is more typically considered as <br />

256 (corpse or slumped figure) serving as an<br />

abbreviation for 1532 ‘buttocks’, combined<br />

with 230 ‘hair, fur’, to give ‘hair around<br />

buttocks’, or alternatively ‘female genitalia’.<br />

‘Copulate’ is an extended sense. SS1984:717;<br />

KJ1970:800; OT1968:295; MS1995:v1:406-08;<br />

AS2007:511.<br />

Mnemonic: TAIL IS HAIR BELOW BUTTOCKS<br />

Or: CORPSE HAS A HAIRY TAIL<br />

The Remaining 1130 Characters 563

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