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644<br />

L3<br />

<br />

<br />

<br />

永<br />

EI, nagai<br />

long, lasting<br />

5 strokes<br />

EIENeternity<br />

EIZOKUperpetuity<br />

EIJŪpermanent residence<br />

OBI forms , ; seal . The graph is a pictograph<br />

showing tributaries connected to a<br />

main river. Both left- and right-facing forms<br />

occur, and in the ancient script in principle the<br />

different orientation did not indicate difference<br />

of meaning. By the seal script stage, however,<br />

the left-facing form had evolved into the<br />

predecessor of , and the right-facing version<br />

645<br />

L3<br />

<br />

<br />

<br />

営<br />

EI, itonamu<br />

conduct, barracks<br />

12 strokes<br />

KEIEImanagement<br />

EIGYŌbusiness<br />

EISHObarracks<br />

Seal ; traditional . Analyses differ in relatively<br />

minor ways. One element is , in outward<br />

form corresponding to a NJK graph meaning<br />

‘spine’ (in which two individual vertebrae are<br />

depicted, with the linking stroke first added<br />

only at the seal stage), but regarded as having<br />

a different sense here, i.e. ‘complex of linked<br />

buildings (or possibly rooms), palace’. This<br />

combines with the disputed upper element .<br />

Katō takes as the old form of (‘firefly’;<br />

modern 1263), here serving as phonetic with<br />

associated sense ‘surround’, to give ‘complex of<br />

buildings surrounded by fence/walls’. Yamada<br />

and Ogawa agree with this interpretation. Mi-<br />

646<br />

L1<br />

<br />

<br />

<br />

衛<br />

EI<br />

guard, protect<br />

16 strokes<br />

EISEIhygiene<br />

SHUEIguard<br />

JIEIself-defense<br />

OBI ; bronze ; seal . Has 131 ‘crossroads;<br />

go’, and as semantic and phonetic,<br />

meaning ‘walk round and round’ (see 446),<br />

to give ‘walk round and keep watch’. OBI and<br />

bronze forms sometimes had both these ele-<br />

into the predecessor of 965 ‘faction’. In other<br />

words, what was one original graph with fluctuating<br />

forms was subsequently refined in use so<br />

as to represent two separate words which were<br />

now distinguished in shape for greater clarity.<br />

The extended sense ‘long’ (from river flowing<br />

long) was used for ‘long time, eternal’ already<br />

from the Western Zhou period (11th century<br />

– 771 BC). MS1995:v2:728-9; QX2000:206;<br />

KJ1970:77-8; YK1976:64; AS2007:577. For a<br />

mnemonic we suggest association with 42<br />

‘water’ and/or 401 ‘ice’, from which this graph<br />

should be distinguished.<br />

Mnemonic: WATER HAS LOOKED ICY FOR A<br />

LONG TIME<br />

zukami lists several alternative interpretations<br />

of what represents here, but still with the<br />

sense ‘surround’. ‘Barracks’ may be regarded as<br />

an extended sense. ‘Perform, conduct’ is treated<br />

as loan usage by Yamada; Schuessler notes ‘lay<br />

out, plan, build’ as early meanings. KJ1970:82,<br />

79-80; YK1976:66; OT1968:187; MS1995:v2:812-<br />

3,v1:222; AS2007:576. As a mnemonic we<br />

suggest taking the upper element as an<br />

ornate roof (see also 11), and taking the<br />

linked squares as rooms within a bigger building.<br />

Alternatively, given the phonetic use of <br />

in the term furo (bath) and consequent<br />

associations, a mnemonic could be based on<br />

the furo.<br />

Mnemonic: CONDUCT BUSINESS IN<br />

ORNATELY ROOFED BARRACK-ROOMS<br />

Or: CONDUCT BUSINESS IN BATH IN<br />

ORNATELY ROOFED BARRACKS<br />

ments, but often consisted of just (originally,<br />

footprints/walk/move around a specified area)<br />

alone. The seal form has (originally, bend,<br />

go round, unable to advance, by extension<br />

‘surround, enclose’) added (to ). KJ1970:11;<br />

YK1976:67; MS1995:v2:1162-3,v1434-5;<br />

OT1968:899; MR2007:249. As a mnemonic we<br />

suggest taking in association with what is<br />

probably its most frequent occurrence, in <br />

1024 ‘differ’.<br />

Mnemonic: GO AROUND DIFFERENTLY IN<br />

ORDER TO KEEP GUARD<br />

210 The 185 Fifth Grade Characters

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