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551<br />

L3<br />

折<br />

SETSU, ori, oru/reru<br />

bend, break, occasion<br />

7 strokes<br />

KOSSETSUbroken bone<br />

orimefold, crease<br />

origamiorigami<br />

OBI ; seal . OBI forms show 1233 ‘ax’,<br />

pointing to an element of vegetation (see 53) to<br />

give ‘cut/break up vegetation’, and by extension<br />

‘break, bend’ in general. At seal script stage,<br />

the vegetation element was changed to 34<br />

‘hand’ in error due to similarity in early shapes<br />

for ‘vegetation’ and ‘hand’. The use (Japanese<br />

only) of ori for ‘occasion’ is a kun-based<br />

phonetic loan. OT1968:450; YK1976:310-11;<br />

MS1995:v1:550-51.<br />

Mnemonic: HAND-AX CAN BREAK OR BEND<br />

552<br />

L3<br />

<br />

<br />

<br />

節<br />

13<br />

SETSU, SECHI, fushi<br />

section, restrain, tune,<br />

period, joint<br />

strokes<br />

CHŌSETSUadjustment<br />

KANSETSUjoint<br />

SETSUYAKUthrift<br />

Bronze ; seal . Has 58 ‘bamboo’, and<br />

/ 1650 (person kneeling before large<br />

food container, now ‘namely’) as phonetic<br />

with associated sense ‘cut’, to give ‘bamboo<br />

cut in sections’ or ‘bamboo joint’, and then<br />

generalized to ‘section, joint’. ‘Section’ came<br />

to encompass a range of abstract senses such<br />

as a written or musical passage, or to refer to<br />

time (‘period’, ‘season’). ‘Cut/cut off’ also links<br />

semantically to ‘restrain’, which is another<br />

meaning of . MS1995:v2:990-91; KJ1970:617-<br />

18; YK1976:312-13; OT1968:753.<br />

Mnemonic: BAMBOO HAS JOINTS, NAMELY<br />

SECTIONS<br />

553<br />

L4<br />

<br />

<br />

<br />

説<br />

SETSU, toku<br />

preach, explain<br />

14 strokes<br />

SETSUMEIexplanation<br />

SHŌSETSUnovel<br />

GAKUSETSUtheory<br />

Seal ; late graph (Shuowen). Traditional form<br />

has on right. Views vary. Has 118 ‘words,<br />

speech’, and NJK / (shaman – one who<br />

invokes and disseminates to the gods the will<br />

of humans) as either semantic or phonetic.<br />

554<br />

浅<br />

SEN, asai<br />

shallow, light<br />

L3<br />

9 strokes<br />

SENPAKUshallowness<br />

asaseshallows<br />

asagilight yellow<br />

Yamada and Shirakawa take semantically as<br />

‘shaman who invokes the gods’; Katō, however,<br />

sees here as phonetic with associated sense<br />

‘set up, establish’. Resultant overall meaning<br />

of based on the above is ‘disseminate/<br />

set out ideas through language’. YK1976:313;<br />

SS1984:513; KJ1970:602-3. Suggest as ‘elder<br />

brother’ 114 with ‘eight’ 70, often used to<br />

show dispersal, as here.<br />

Mnemonic: ELDER BROTHER DISPERSES<br />

WORDS, PREACHING AWAY<br />

Seal ; late graph (Shuowen). Has 42 ‘water’,<br />

and (‘two halberds; fight, injure’ – see 545)<br />

as phonetic with associated sense ‘few, little’,<br />

to give ‘little water’, and hence ‘shallow’. ‘Light<br />

(in color)’ is an extended sense. KJ1970:760-61;<br />

YK1976:316; OT1968:575; TA1965:569.<br />

Mnemonic: SHALLOW WATER – JUST DEPTH<br />

OF TWO HALBERDS<br />

The 200 Fourth Grade Characters 185

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