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writing brush, and then incised. Writing at this very early period in China was used<br />

by a small minority, centered on the Shang rulers, for such purposes as enquiring<br />

about the outcome of future events such as a battle, harvest, or childbirth, hence the<br />

term ‘oracle bones’.<br />

Although the oracle bone texts—typically fragmentary in nature—date back<br />

more than two thousand years, they were only brought to light (rediscovered) in<br />

relatively recent times. In 1899, Liu E, a Chinese scholar who was looking<br />

for material to make up traditional Chinese medicine, purchased some bone fragments.<br />

These were fragments which had been unearthed by farmers when plowing,<br />

and they were known as ‘dragon bones’, based on the belief that dragons shed their<br />

bones. Liu happened to notice some unusual scratching on the fragments. Being<br />

familiar with how the early Chinese script looked, and guessing that these markings<br />

probably represented a still earlier stage of Chinese writing, he decided to purchase<br />

more of the bone fragments. His study of these fragments led to confirmation that<br />

this was indeed an ancient stage of Chinese writing, and a stage earlier than what<br />

had been recognized until then. This was a very important discovery, and marked<br />

the point of departure for the scientific study of the oracle bone script.<br />

1.2 Seal Script ( 篆 書 Ch. zhuanshu, J. tensho)<br />

The ancient variety of the Chinese script known as seal script is divided into two varieties:<br />

‘great seal’ (Ch. dazhuan, J. daiten) and ‘small seal’ (Ch. xiaozhuan,<br />

J. shōten). Some of the examples of great seal script—the older variety—found on<br />

bronze vessels date back in some cases to a period no later than that of the oracle<br />

bone inscriptions, i.e., the latter part of the Shang Dynasty. The situation has been<br />

summed up by the noted Chinese scholar Qiu Xigui as follows: ‘The practice of<br />

casting inscriptions on bronzes initially grew in popularity in the latter half of the<br />

Shang period and reached its zenith during the Zhou.’ (QX2000:62). Reflecting the<br />

fact that before the Qin Dynasty (221–206 BC) bronze was referred to as (Ch.<br />

jin, J. kin), characters on ancient bronzes are sometimes known alternatively as <br />

(Ch. jinwen, J. kinbun). Great seal characters of very early date often occur in a<br />

very short sequence of a few characters or even just one, and are notable for their<br />

ornateness compared to those on oracle bones. In shape, the great seal forms tend to<br />

be characterized by soft curves and varying stroke width, contrasting with the thin<br />

angularity of the oracle bone characters. In a given text, individual characters can<br />

vary considerable in size. The ornate great seal characters were ill-suited for practical<br />

purposes, and so the evolution of less impractical shapes was really a natural<br />

development, though this does not mean that utilitarian considerations were allconsuming:<br />

aesthetic considerations were still very important. A degree of simplification<br />

in shape compared with great seal can be seen in many cases in the small<br />

10 Introduction

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