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800<br />

L3<br />

<br />

<br />

<br />

婦<br />

FU<br />

woman, wife<br />

11 strokes<br />

FUJINwoman<br />

SHUFUhousewife<br />

FUCHŌchief nurse<br />

OBI ; seal . Has 37 ‘woman’, and <br />

(‘broom’: see 106) as phonetic with associated<br />

sense either ‘embellish/adorn’, to give ‘embellished<br />

female’ (Katō, Yamada), or ‘accompany<br />

closely’, giving ‘woman who accompanies<br />

(husband) closely’ (Tōdō). In early texts (esp<br />

801<br />

富<br />

FU, FŪ, tomi, tomu<br />

wealth, riches<br />

L3<br />

12 strokes<br />

FUYŪwealth<br />

tomikujilottery<br />

FUJISANMt Fuji<br />

Bronze ; seal . Has 30 ‘roof, building’,<br />

and 畐 409 (‘[full] wide-necked jar’) as pho-<br />

802<br />

武<br />

BU, MU<br />

military, warrior<br />

L3<br />

8 strokes<br />

BUSHIDŌwarrior code<br />

BUKIweapon<br />

MUSHAwarrior<br />

OBI ; seal . Interpretations diverge. One<br />

analysis takes 143 ‘stop’, here in its original<br />

sense of ‘footprint’, and the second component<br />

545 ‘halberd’ (Qiu says ‘dagger-ax’) as phonetic<br />

with associated sense ‘stride’, giving ‘one<br />

OBI), often written , without the element .<br />

Katō and Tōdō state that in ancient China this<br />

graph originally meant ‘daughter-in-law’; the<br />

meaning later becoming more generalized.<br />

The alternative, more direct interpretation as<br />

‘woman’ with ‘broom’ is difficult to rule<br />

out, given, for instance, the uncertainty of<br />

whether one of the elements in 708 ‘wife’<br />

represents ‘hairpins’ on the one hand or ‘broom’<br />

on the other. YK1976:433-4; MS1995:v1:336-7;<br />

KJ1970:253-4,251.<br />

Mnemonic: WOMAN HOLDING BROOM IN<br />

HAND IS PROBABLY A WIFE<br />

netic with associated sense ‘abundant, full’, to<br />

give ‘house/household of abundance’; meaning<br />

later generalized to ‘abundant, wealthy’.<br />

KJ1970:827-8; MS1995:v1:382-3; OT1968:281;<br />

YK1976:434. Suggest taking lower components<br />

as 1, ‘one/single’, 22 ‘mouth/entrance’ and<br />

63 ‘field’.<br />

Mnemonic: HOUSE AT SINGLE ENTRANCE TO<br />

FIELD GROWS WEALTHY<br />

stride’ (Yamada, Ogawa); in this view, militaryorientated<br />

meanings are regarded as loan usages.<br />

Mizukami notes the alternative treatment,<br />

which takes in its other original – and more<br />

active – sense of ‘foot’ (Shirakawa regards this<br />

component here as an abbreviation of 221<br />

‘walk’), combining with ‘halberd’, to give<br />

‘advance with halberds’; in this treatment,<br />

‘warrior’ is an extended meaning. YK1976:434-5;<br />

OT1968:538; MS1995:v1:704-5; QX2000:155.<br />

Mnemonic: WARRIOR WITH HALBERD STOPS<br />

803<br />

L3<br />

<br />

<br />

<br />

復<br />

FUKU<br />

again, repeat<br />

12 strokes<br />

FUKKATSUrevival<br />

KAIFUKUrecovery<br />

FUKUSHŪrevision<br />

OBI Bronze ; seal . Interpretations vary.<br />

The OBI form ( 复 ), the original way of writ-<br />

ing , consists of two elements. Scholars are<br />

divided over whether to take the lower one as<br />

originally (Shirakawa, Gu), normally understood<br />

as ‘walk slowly, drag the foot’, or as <br />

‘descending foot’ (Katō [for some occurrences],<br />

Yamada) (for and , see Appendix). Despite<br />

such divergence, this lower ‘foot’ element is<br />

taken to mean a type of motion. The upper<br />

element is typically analysed as a pictograph<br />

252 The 185 Fifth Grade Characters

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