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1981<br />

L1<br />

<br />

<br />

<br />

謀<br />

16<br />

BŌ, MU, hakaru,<br />

hakarigoto<br />

plot, stratagem<br />

strokes<br />

INBŌplot, intrigue<br />

MUHON*insurrection<br />

BŌRYAKUstratagem<br />

Seal ; late graph (Shuowen). Has 118<br />

‘words; speak’, with 1973 (‘a certain…’) as<br />

phonetic with associated sense taken as i]<br />

‘look for, try to find’, thus ‘look for the truth in<br />

someone’s words’ or ‘seek opinion’ (Mizukami,<br />

Katō), or ii] ‘read (someone’s mind)’, thus ‘plan’<br />

(Ogawa). Later the graph acquired a negative<br />

connotation. MS1995:v2:1208-9; KJ1970:757;<br />

OT1968:939; AS2007:391.<br />

Mnemonic: PLOT DEPENDS UPON A CERTAIN<br />

WORD – GOOD STRATAGEM<br />

1982<br />

頬<br />

hō, hoho, KYŌ<br />

cheek<br />

L1<br />

15 strokes<br />

hōbarufill one’s cheeks<br />

hōbenirouge<br />

hōbonecheekbone<br />

Seal ; late graph (Shuowen); traditional<br />

(16 strokes). Has 103 ‘head’ (here<br />

‘face’), with ‘on both sides; put between’<br />

(see Note below), giving ‘that which is on<br />

1983<br />

L1<br />

朴<br />

6<br />

BOKU, hō<br />

simple, artless, type of<br />

magnolia<br />

strokes<br />

JUNBOKUsimple, honest<br />

SOBOKUplain, simple<br />

hō no kitype of magnolia<br />

Seal ; late graph (Shuowen). Has 73<br />

‘tree, wood’, with 96 (‘crack’, ‘divination’) as<br />

phonetic with associated sense ‘snap, break’,<br />

both sides of the face’, i.e. ‘cheek(s)’. Note:<br />

OBI form for shows two smaller people<br />

standing either side of big person with arms<br />

outstretched. Qiu gives original meaning as<br />

‘on two sides’; extended to ‘put between, insert’<br />

(later written 1221, q.v). QX2000:187;<br />

SS1984:1100,189; OT1968:246; AS2007:300.<br />

Take as ‘man’ 601 and 70 as ‘away’.<br />

Mnemonic: MAN IS BIG-HEADED AND GETS<br />

AWAY WITH IT – WHAT CHEEK!<br />

giving ‘tree bark’. It seems that another<br />

word having the same pronunciation in<br />

early Chinese meaning ‘as yet untouched/<br />

unworked natural tree wood’, once written<br />

(NJK), was sometimes written by<br />

substituting instead. Used in this way,<br />

acquired an extended sense from , i.e.<br />

‘naïve, unsophisticated, artless’. TA1965:317-<br />

9; DJ2009:v2:463,467; GY2008:229-30.<br />

Mnemonic: MAGNOLIA WOOD SIMPLY<br />

CRACKS<br />

1984<br />

L1<br />

<br />

<br />

<br />

睦<br />

13<br />

BOKU, mutsu(majii)<br />

harmonious,<br />

friendly<br />

strokes<br />

SHINBOKUfriendship<br />

mutsugotolovers’ talk<br />

WABOKUreconciliation<br />

Seal ; late graph (Shuowen). Has 76<br />

‘eye’, with 坴 627 (CO; ‘earth mound’, ‘clods of<br />

earth’, see) as phonetic with associated sense<br />

taken as i] ‘follow’, giving ‘submissive gaze/<br />

look’ (Katō), or ii] ‘soften, moderate’, giving –<br />

in similar vein – ‘softened gaze’ (Ogawa). By<br />

extension, ‘harmonious, intimate’. KJ1970:45;<br />

OT1968:702; GY2008:1583.<br />

Mnemonic: GETTING CLODS OF EARTH IN<br />

THE EYE IS FRIENDLY!?<br />

592 The Remaining 1130 Characters

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