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2054<br />

L2<br />

<br />

<br />

<br />

腰<br />

13<br />

YŌ, koshi<br />

hip, lower back,<br />

manner<br />

strokes<br />

YŌTSŪlumbago<br />

koshiNIKUloin meat<br />

monogoshibearing, manner<br />

A late, post-Shuowen graph. For many centuries,<br />

the word for ‘waist’ was written as just<br />

623 (‘need, vital’, q.v.), but the latter graph<br />

acquired extended meanings such as ‘vital,<br />

important’, and so to then lessen ambiguity<br />

in writing, / 209 ‘flesh, meat; body’ was<br />

added as determinative to clearly show the<br />

meaning ‘waist’. ‘Bearing, manner’ would<br />

seem to be extended senses (cf. English<br />

‘stand straight’) SS1984:851; GY2008:810;<br />

OT1968:826.<br />

Mnemonic: HIP IS VITAL PART OF BODY<br />

2055<br />

L1<br />

瘍<br />

14<br />

YŌ<br />

ulcer, boil, tumor,<br />

carbuncle<br />

strokes<br />

SHUYŌtumor<br />

KAIYŌulcer<br />

IKAIYŌstomach ulcer<br />

Seal ; a late graph (Shuowen). Consists<br />

of 404 ‘sick(bed)’, with 161 (‘colors of<br />

risen morning sun’, etc.; see 2051 Note) as<br />

phonetic. The commentators below do not<br />

specify the associated sense, but it may be<br />

taken as ‘rise, emerge’, giving ‘boil, ulcer,<br />

tumor’. OT1968:681; SS1984:852.<br />

Mnemonic: SUNRAYS MAY HELP SOMEONE<br />

SICK WITH A TUMOR OR ULCER<br />

2056<br />

踊<br />

YŌ, odoru<br />

dance, leap<br />

L2<br />

14 strokes<br />

BUYŌdance, dancing<br />

odorikodancing girl<br />

BON odoriBon Dance<br />

Seal ; a late graph (Shuowen). Has 54<br />

‘foot, leg’, combined with (CO, ‘suspension<br />

ring at top of bell’; see 2040 Note) as phonetic<br />

with associated sense ‘hit, strike’, giving<br />

original meaning ‘stamp feet on the ground’.<br />

Shirakawa suggests this may have been part<br />

of a funerary ritual, but does not elaborate.<br />

‘Dance’ may be regarded as an extended<br />

sense if one follows this view. In similar vein,<br />

Katō also regards the meaning of the graph<br />

as ‘feet leaving the ground’, hence ‘dance’.<br />

OT1968:973; SS1984:852; KJ1985:589-90. We<br />

suggest taking the elements as ‘leg’, <br />

as ‘use’ 235, and as ‘bent knee’ (or ‘bent<br />

elbow’ for those who ‘do the turkey’).<br />

Mnemonic: WHEN DANCING, USE YOUR<br />

LEGS, BENDING YOUR KNEES TO LEAP<br />

Or: WHEN DANCING, LEAP USING YOUR LEGS<br />

AND ELBOWS !?<br />

2057<br />

窯<br />

YŌ, kama<br />

Seal ; a late graph (Shuowen). Consists<br />

kiln, oven<br />

of 860 ‘hole, cave’, combined with <br />

L1<br />

15 strokes<br />

(NJK, ‘newborn lamb’), taken in one view<br />

as phonetic with associated sense ‘bake’,<br />

YŌGYŌceramics<br />

giving ‘cavity for baking earthenware’, i.e.<br />

YŌGYŌKAceramist<br />

KANSŌgamadrying kiln<br />

‘kiln, oven’ (Ogawa). The graph is made<br />

up of 426 (‘sheep’, slightly abbreviated<br />

to ), combined with () 8, ‘fire’ mak-<br />

616 The Remaining 1130 Characters

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