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834<br />

灰<br />

KAI, hai<br />

ashes<br />

L3<br />

6 strokes<br />

SEKKAIlime<br />

hai-irogrey<br />

KAZANbaivolcanic ash<br />

Bronze ; seal ; traditional 灰 . Has 8<br />

‘flames/fire’, and taken as variant of 2003<br />

(originally ‘hand’). ( might seem unlikely as a<br />

variant shape for , but clerical forms for do<br />

exist which are close in shape to, albeit with the<br />

diagonal going from top left to bottom right).<br />

All commentators take as ‘flames/fire’, but<br />

835<br />

L3<br />

拡<br />

KAKU<br />

spread<br />

8 strokes<br />

KAKUDAImagnification<br />

KAKUSANdissemination<br />

KAKUSEIKIloudspeaker<br />

interpretations of here differ. Mizukami takes<br />

semantically as ‘hand’, giving ‘rake cinders by<br />

hand’, or ‘ash’. Katō and Yamada take instead<br />

as phonetic with associated sense ‘use up’, to<br />

give ‘what is left when fire dies out’, i.e. ‘ash’.<br />

Ogawa also takes as phonetic, but with associated<br />

sense ‘black’, giving ‘fire burns leaving<br />

something black’, i.e. ‘ash’. We think of ash today<br />

as grey, but Mizukami notes that originally ash<br />

color meant ‘black’ (though rather unclear).<br />

SK1984:131; MS1995:v2:794-5; KJ1970:148-9;<br />

YK1976:87; OT1968:615. Take as ‘hillside’.<br />

Mnemonic: HILLSIDE ABLAZE, REDUCED TO<br />

ASHES<br />

Seal ; traditional . Has 34 ‘hand’,<br />

and 127 (modern ‘wide, spacious’) as<br />

semantic and phonetic, giving ‘pull with the<br />

hand and spread out’. YK1976:95; KJ1970:325;<br />

OT1968:406.<br />

Mnemonic: SPREAD HANDS WIDE<br />

836<br />

革<br />

KAKU, kawa<br />

leather, reform<br />

L3<br />

9 strokes<br />

KAKUMEIrevolution<br />

KAKUSHINreform<br />

kawaKŌbatannery<br />

Bronze ; seal . Typically taken to represent<br />

pictographically a small animal offered as<br />

sacrifice and left exposed to the elements until<br />

its bones are bleached white, hence meaning<br />

‘bleached bones of a small animal; skeleton’.<br />

Advocates of this view (Katō, Yamada, Ogawa)<br />

regard ‘leather’ as a loan usage. Because some<br />

of the bronze forms show a pair of hands also,<br />

alternatively taken to mean ‘stretched, dried<br />

hide of an animal’, i.e. ‘leather’. Tōdō is of this<br />

latter view, being in his word-family ‘stretch<br />

taut’. Mizukami lists both views. ‘Renew’ may be<br />

regarded as an extended sense (and by further<br />

extension ‘reform’), based on the new use for<br />

the animal hide. KJ1970:474; MS1995:v2:1432-3;<br />

OT1968:1094; YK1976:95. Difficult in terms of<br />

mnemonics. We suggest taking the graph as a<br />

whole as a splayed out (sacrificed) animal with<br />

horns, head, body, long back legs, and tail.<br />

Mnemonic: SPLAYED OUT ANIMAL PROVIDES<br />

LEATHER: NEED FOR REFORM?<br />

837<br />

L1<br />

<br />

<br />

<br />

閣<br />

KAKU<br />

cabinet, chamber<br />

14 strokes<br />

KAKKAYour Excellency<br />

NAIKAKUCabinet<br />

KAKUGICabinet meeting<br />

Seal ; late graph (Shuowen). Has 231 ‘gate’,<br />

and 462 (originally, ‘descend [and stop]’;<br />

now ‘each’) as phonetic with associated sense<br />

‘descend and stop’, giving ‘securing bolt’ (vertical<br />

bolts used to keep leaves of a gate in place<br />

without moving). Senses such as ‘mansion,<br />

chamber, Cabinet’ are loan usages. YK1976:96;<br />

KJ1970:192-3; OT1968:1059.<br />

Mnemonic: EACH GATE LEADS TO CABINET<br />

262 The 181 Sixth Grade Characters

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