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122<br />

L5<br />

<br />

<br />

<br />

午<br />

GO<br />

noon<br />

4 strokes<br />

GOGOp.m., afternoon<br />

GOZENa.m., morning<br />

SHŌGOnoon<br />

Based on pictograph of a pestle: OBI ; bronze<br />

; Shuowen . Associated with the horse in<br />

the context of the Twelve Earthly Branches, a<br />

traditional classificatory system employed from<br />

the Shang Dynasty to denote hours of the day,<br />

compass points, and so on. The ‘hour of the<br />

Horse’ (actually two hours) was the seventh of<br />

the Twelve Branches, and corresponded roughly<br />

to 11 a.m. to 1 p.m., hence the extended<br />

meaning of ‘noon’. Distinguish from 108 ‘cow’.<br />

QX2000:335; SS1984:282; AS2007:519.<br />

Mnemonic: COW BROKE TIP OFF HORN AT<br />

NOON<br />

123<br />

L5<br />

<br />

<br />

<br />

後<br />

9<br />

IGOafter<br />

KŌHANsecond half<br />

atoajiaftertaste<br />

GO, KŌ, ushiro, ato,<br />

nochi, okureru<br />

behind, after, delay<br />

strokes<br />

Bronze ; seal . Analyses vary. Taken in one<br />

view (Katō) as meaning ‘go back/backwards’,<br />

with 29 (‘fine threads, small’) as phonetic<br />

with associated sense ‘go’, giving ‘go back/<br />

backwards’. ‘Behind, after’ and ‘be behind,<br />

put afterwards’, etc. are all in the same wordfamily<br />

(Schuessler). Katō takes the lower<br />

right-hand element in as (‘descending<br />

foot’ [determinative no.34]) meaning ‘go’, but<br />

Tōdō takes it as ‘walk slowly, drag foot’, which<br />

is the sense normally attributed to (determinative<br />

35); see Appendix. TA1965:304-5;<br />

OT1968:229; KJ1970:404; AS2007:280. Take <br />

as crosslegged, 131 ‘go’.<br />

Mnemonic: GO CROSSLEGGED ON<br />

THREADING ROAD AND FALL BEHIND<br />

124<br />

語<br />

GO, kataru<br />

tell, speak, talk<br />

L5<br />

14 strokes<br />

GOCHŌtone of voice<br />

monogatarisaga<br />

NIHONGOJapanese lang.<br />

Bronze ; Shuowen form . Has 118<br />

‘words, language’, and (NJK, ‘I/we’) as<br />

phonetic with associated sense taken as ‘defend<br />

verbally’ (to questions), or ‘exchange’ (Ogawa,<br />

Tōdō). In latter case, ‘tell, speak’ is a generalized<br />

sense. KJ1970:395; SS1984:284; OT1968:930;<br />

TA1965:427. Take as 21 ‘five’ and 22<br />

‘mouth’.<br />

Mnemonic: FIVE MOUTHS SPEAK MANY<br />

WORDS<br />

125<br />

工<br />

KŌ, KU<br />

work<br />

L4<br />

3 strokes<br />

KŌJŌfactory<br />

JINKŌman-made<br />

DAIKUcarpenter<br />

Ma considers the OBI form to show an axhead<br />

and Katō similarly takes it as an ax, but<br />

questionable. Shirakawa interprets as some<br />

kind of tool also. Based on a bronze form with<br />

thicker bottom stroke, Gu takes as tool for<br />

compacting soil. Ogawa believes a chisel is represented,<br />

but this is less convincing. Others see<br />

it as an adze-cum-square. By the bronze stage<br />

it had acquired its modern form. MR2007:308;<br />

KJ1970:405-6; SS1984:285; OT1968:309;<br />

GY2008:23.<br />

Mnemonic: WORK WITH CARPENTER’S<br />

SET-SQUARE<br />

76 The 160 Second Grade Characters

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