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1695<br />

L1<br />

壇<br />

DAN, TAN<br />

stage, platform<br />

16 strokes<br />

KADANflower bed<br />

DANJŌstage<br />

DOTANbaexecution platform<br />

1696<br />

L1<br />

<br />

<br />

<br />

恥<br />

10<br />

CHI, haji,<br />

hajiru/zukashii<br />

(a)shame(d), shy<br />

strokes<br />

CHIJOKUdisgrace<br />

MUCHIshamelessness<br />

akahajipublic disgrace<br />

Seal ; late graph (Shuowen). Has 64<br />

‘earth’, and (CO ‘granary full of grain’ [Gu])<br />

as phonetic with associated sense i] ‘make<br />

level and firm’ (Ogawa), or ii] ‘raised’ (Katō), either<br />

way giving ‘raised area of flattened earth’.<br />

Initially used for rituals, later generalized.<br />

OT1968:226; KJ1970:681; GY2008:1636-7. Take<br />

as ‘dawn’ 1687, ‘turn’ 92, atop .<br />

Mnemonic: EARTHY SHOW AT DAWN ATOP<br />

REVOLVING STAGE<br />

Seal ; late graph (Shuowen). Has 164<br />

‘heart, feelings’, with 31 (‘ear’) as phonetic<br />

with associated sense i] ‘shrink’ (Katō, Tōdō),<br />

or ii] ‘feel shame’ (Ogawa), both giving ‘feel<br />

shame’. KJ1970:692; TA1965:98-9; OT1968:370;<br />

SS1984:587.<br />

Mnemonic: ASHAMED TO HAVE HEART<br />

SMALLER THAN EAR<br />

1697<br />

致<br />

CHI, itasu<br />

do, send, cause<br />

L1<br />

10 strokes<br />

ITCHIunity, accord<br />

CHIMEITEKIfatal<br />

SŌCHIsending<br />

Bronze () ; seal . Bronze and seal forms<br />

have 886 ‘reach’, with not () 112 ‘hit,<br />

strike’, but what in the bronze form Katō takes<br />

to be a standing person with heel on the<br />

ground as a fuller version of ‘walk slowly/<br />

drag foot’ (see Appendix). Original meaning<br />

of the graph is taken as ‘send; arrive (from<br />

afar)’. Later, the foot element was replaced by<br />

similarly-shaped ( [determinative no.<br />

66]). The clerical script seems to have been the<br />

time of transition which saw a change to <br />

in this graph, no doubt because when (or<br />

[‘go down, descend’]) was written cursively<br />

there was potential for confusion with ()<br />

‘hit, strike, coerce’. As for the meanings ‘cause<br />

(to do)’ and ‘do’, it may be that was sometimes<br />

used also for a near-homophone in early<br />

Chinese meaning ‘bring about’, which could explain<br />

the sense ‘do’ as well. MS1995:v2:1092-3;<br />

KJ1970:445,58-9; SK1984:606-7; GY2008:1032-<br />

3; OT1968:833; AS2007:617-8.<br />

Mnemonic: COERCIVELY SEND SOMEONE,<br />

WHO DOES ARRIVE<br />

1698<br />

L2<br />

遅<br />

CHI, okureru, osoi<br />

tardy, slow, late<br />

12 strokes<br />

CHIKOKUlateness<br />

CHICHIslowly<br />

osozakilate blooming<br />

Bronze ; seal ; traditional . The bronze<br />

form has /85 ‘go, walk’, with CO 屖 , the<br />

latter taken to mean either ‘tarry, linger’ (Qiu)<br />

or ‘person crawling cannot move forward’<br />

(Mizukami). By the seal stage, however, the<br />

graph had changed so as to be written <br />

(as before) but now instead with (NJK,<br />

‘slow-moving beast, rhinoceros’: see Note<br />

504 The Remaining 1130 Characters

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