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400<br />

L3<br />

筆<br />

HITSU, fude<br />

writing brush<br />

12 strokes<br />

ENPITSUpencil<br />

HISSHAwriter<br />

fudezukaipenmanship<br />

OBI ; seal . The simpler, older form shows a<br />

hand holding a writing brush ( 159); to this,<br />

58 ‘bamboo’ was later added, reflecting<br />

the fact that brushes typically had a bamboo<br />

shaft, though sometimes wood was used. In<br />

OBI, texts were sometimes written first using<br />

a brush, then incised with a knife-like instrument.<br />

The brush was the most common writing<br />

instrument in China and Japan until displaced<br />

by the steel-tipped pen, etc. in modern times.<br />

YK1976:426; KJ1970:55; MS1995:v2:1062.<br />

Mnemonic: HAND HOLDS BAMBOO WRITING<br />

BRUSH<br />

401<br />

L3<br />

<br />

<br />

<br />

氷<br />

HYŌ, kōri<br />

ice<br />

5 strokes<br />

HYŌZANiceberg<br />

HYŌTENfreezing point<br />

kōrimizuice water<br />

OBI (); bronze () ; seal ; the latter<br />

now a CO . Quite a rare graph in OBI and<br />

bronze. OBI form depicts cracks or irregularities<br />

in ice. At bronze stage 42 ‘water’ was added<br />

402<br />

表<br />

HYŌ, omote, arawasu<br />

show, surface, list<br />

L3<br />

8 strokes<br />

HYŌMENsurface<br />

HYŌGENexpression<br />

JIKOKUHYŌtimetable<br />

Seal . Has 444 ‘clothing’, and 230 ‘fur,<br />

hair’. The function of the element is disputed:<br />

taken either as phonetic with associated<br />

on the left, but in the seal script this changed<br />

to the right, giving , as in modern Chinese<br />

usage. The form standard in Japanese is<br />

found in Chinese calligraphic tradition (Tang<br />

Dynasty onwards). Distinguish also from 644<br />

‘long’. MR2007:450; MS1995:v1:116; KJ1970:809;<br />

FC1974:v1:191-2. Suggest taking the extra<br />

stroke relative to 42 ‘water’ (at the top left) as<br />

a crack in the ice.<br />

Mnemonic: A CRACK IN THE WATER? – THAT<br />

MUST MEAN ICE<br />

sense ‘envelop, enclose’, to give ‘outer garment<br />

to cover inside’ (Katō, Mizukami, Yamada), or as<br />

semantic and interpreted as a garment worn<br />

over a fur coat (Mizukami, Qiu). The meanings<br />

‘front, surface; show’ are extended usages.<br />

KJ1970:843-4; MS1995:v2:1164-5; YK1976:427;<br />

QX2000:20. Suggest take the top part as odd<br />

variant of ‘master’ 315, with ‘clothing’ .<br />

Mnemonic: THE ODD MASTER’S CLOTHES<br />

SHOW A LONG LIST<br />

403<br />

秒<br />

BYŌ<br />

second (of time)<br />

L3<br />

9 strokes<br />

NIBYŌtwo seconds<br />

BYŌSHINa second hand<br />

BYŌSOKUspeed per sec.<br />

Seal ; a late graph (Shuowen). Has 87 ‘grain<br />

plant/cereal’, and 160 (‘few, little’) taken<br />

either as phonetic and semantic meaning<br />

‘small’ (Ogawa), or as phonetic with associated<br />

sense ‘slender, thin’ (Yamada) or ‘ear (of cereal)’<br />

– again, something small – (Katō). The sense<br />

‘small’ was then extended to small units, giving<br />

‘second’ in the dimension of time. KJ1970:847;<br />

YK1976:429; OT1968:731.<br />

Mnemonic: A LITTLE BIT OF CEREAL EATEN IN<br />

A SECOND<br />

The 200 Third Grade Characters 143

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