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1901<br />

L1<br />

賓<br />

HIN<br />

guest, visitor<br />

15 strokes<br />

SHUHINguest of honor<br />

RAIHINguest, visitor<br />

GEIHINKAN reception hall<br />

Bronze ; seal ; traditional . Has 10<br />

‘shell-money’, or in some bronze forms <br />

1746 ‘tripod vessel’ (both symbols of wealth),<br />

with a second element as phonetic. Views<br />

differ on / (rare graph, not in Kangxi<br />

zidian). Ogawa sees it as semantic and<br />

phonetic meaning ‘guest’, thus ‘valuables for<br />

guest’ and by extension ‘guest’. Another view<br />

sees it as possible variant of 89 ‘house’<br />

as phonetic with associated sense ‘lay out,<br />

display’, thus ‘display and give valuables’, by<br />

extension ‘entertain guest’ (Mizukami, Katō).<br />

OT1968:960; MS1995:v2:1242-3; KJ1970:169;<br />

AS2007:167. Take as ‘half-built house’.<br />

Mnemonic: A HALF-BUILT HOUSE WELCOMES<br />

GUESTS WITH SHELL-MONEY<br />

1902<br />

頻<br />

HIN<br />

frequency<br />

L1<br />

17 strokes<br />

HINPAN nifrequently<br />

HINPATSUfrequency<br />

HINDO frequency<br />

Late post-Shuowen graph. Taken as short form<br />

of NJK ‘shore, verge; wrinkles like water<br />

ripples’ (see 1900). Later, was borrowed<br />

for its sound value to represent another<br />

word meaning ‘frequent’. OT1968:1105,613;<br />

GY2008:1580. Take as ‘head’ 103, ‘walk’ <br />

221.<br />

Mnemonic: WALK ON ONE’S HEAD<br />

FREQUENTLY!?<br />

1903<br />

敏<br />

BIN<br />

agile, alert, quick<br />

L1<br />

10 strokes<br />

BINSOKUalacrity<br />

EIBINsharpness<br />

KIBIN sharpness<br />

OBI ; seal . OBI and bronze forms have<br />

2003 ‘hand’, with (traditional form of<br />

225 ‘each, every’) as phonetic with associated<br />

sense taken in one view as ‘work<br />

hard/rapidly’, giving overall sense ‘work<br />

busily with hands’ (Katō). At seal stage, <br />

was changed to / 112 ‘hit, strike’, and<br />

this is believed to reflect a shift in meaning<br />

to ‘hit in busy fashion’ (Katō). Meanings<br />

such as ‘alert, quick’ are extended senses. An<br />

alternative analysis treats as depicting a<br />

woman with a hairpin, which combined with<br />

is taken as depicting a woman adjusting<br />

her hair ornament; overall meaning is then<br />

held to be ‘woman works busily on ritual<br />

matters’ (Shirakawa), though this seems to<br />

involve a jump in semantic progression.<br />

KJ1970:812; MS1995:v1:578-9; OT1968:439;<br />

SS1984:439.<br />

Mnemonic: EVERY STRIKE SHOULD MAKE<br />

ONE MORE ALERT<br />

1904<br />

瓶<br />

BIN, kame<br />

Bronze ; seal ; traditional (see also<br />

bottle, jug, jar<br />

Note 2). ‘pottery/earthenware receptacle’<br />

(originally a pictograph) was the earlier<br />

L1<br />

11 strokes<br />

determinative in this graph (on right-hand<br />

BINzumebottling<br />

side in the bronze form) combining with 幷<br />

KABINflower vase<br />

(NJK ’put/join together’; see Note 1 below) as<br />

tsurube* well-bucket<br />

phonetic with associated sense ‘flattish, thin<br />

568 The Remaining 1130 Characters

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