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1394<br />

L1<br />

撮<br />

SATSU, toru, tsumamu<br />

pluck, pinch, take<br />

15 strokes<br />

SATSUEIphotography<br />

torinaosuretake<br />

tsumamigui corrupt, ‘graft’<br />

Seal ; a late graph (Shuowen). Originally written<br />

510 (‘most’ q.v.), made up of 冃 (‘cover,<br />

headgear’), taken here as abbreviation for <br />

1974 ‘defy, attack’ (traditional form: ) over <br />

317 ‘take’, giving ‘seize in the hand, take without<br />

permission’. Later, the determinative 34 ‘hand’<br />

was added, resulting in . The kun reading<br />

tsumamu ‘pinch’ retains some of the original<br />

meaning of this graph, while the sense ‘take<br />

(photos)’ represents a Japanese-only usage.<br />

KJ1970:501-2; OT1968:428.<br />

Mnemonic: PINCHED HAND TAKES THE MOST<br />

1395<br />

擦<br />

SATSU, suru/reru<br />

rub, chafe, brush<br />

L1<br />

17 strokes<br />

SAKKASHŌabrasion<br />

surechigaubrush past<br />

surikomu rub in<br />

A very late post-Shuowen graph. Has 34<br />

‘hand’, and 516 (‘judge, realize’) as phonetic<br />

with associated sense taken as i] ‘rub’ (Katō,<br />

Shirakawa), or ii] ‘notched, rough’ (Ogawa), in<br />

either case giving the overall meaning ‘rub, polish’.<br />

According to Katō, the right-hand phonetic<br />

element is a substitute for earlier 1366<br />

(both being near-homophones in early Chinese).<br />

KJ1970:416; SS1984:349; OT1968:432.<br />

Mnemonic: REALISE ONE’S HAND IS CHAFED<br />

1396<br />

桟<br />

SAN<br />

spar, beam, frame<br />

L1<br />

10 strokes<br />

SANbashijetty<br />

SAjiki*stand, balcony<br />

SANDŌ walkway of planks<br />

Seal ; a late graph (Shuowen); traditional .<br />

Has 73 ‘wood, tree’, and (‘harm, injure’<br />

[original OBI graph has two opposing halberds]:<br />

see 520/545) as phonetic with associated sense<br />

taken either as i] ‘small, thin items joined up’,<br />

giving ‘plank walkway’ (Shirakawa), or ii] ‘long<br />

and slender’, giving ‘hanging bridge’ (Ogawa).<br />

Meanings given by Schuessler for this graph<br />

are somewhat different (‘shed made of intertwined<br />

branches’ and ‘carriage box made of<br />

lath or bamboo’), but still there appears to be<br />

some consistency in the general shape of the<br />

materials involved. SS1984:351; OT1968:504;<br />

AS2007:605; MS1995:v1:536-9.<br />

Mnemonic: FRAME MADE USING TWO<br />

WOODEN HALBERDS AS SPARS<br />

1397<br />

L1<br />

惨<br />

11<br />

SAN, ZAN, mugoi,<br />

mijime<br />

cruel, miserable<br />

strokes<br />

SANGEKI tragedy<br />

ZANSATSUmassacre<br />

HISAN misery<br />

Seal ; late graph (Shuowen); traditional .<br />

Has 164 ‘heart, feelings’, and 517 (origi-<br />

nally, ‘woman adorned with hairpins’; now ‘go,<br />

attend’) as phonetic with associated sense<br />

taken either as i] ‘needle, hairpin’ (Katō), or ii]<br />

‘pierce, penetrate’ (Ogawa), either way giving<br />

overall meaning ‘feel as if stabbed in the<br />

heart with a needle’. ‘Cruel’ and ‘miserable’ are<br />

extended meanings. KJ1970:441; OT1968:375;<br />

MS1995:v1:626-7.<br />

Mnemonic: CRUELTY ATTENDED BY FEELINGS<br />

OF MISERY<br />

The Remaining 1130 Characters 413

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