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14<br />

休<br />

KYŪ, yasumu<br />

rest(ing)<br />

L5<br />

6 strokes<br />

KYŪJITSU holiday<br />

KYŪSEN truce<br />

natsuyasumi summer break<br />

OBI . A ‘logical compound’ type character<br />

which signified rest in the shade, being made<br />

up of /41 ‘person’ next to 73 ‘tree’. This<br />

widely accepted interpretation is supported at<br />

some length by Qiu, who rejects Shirakawa’s<br />

interpretation of early forms of this character as<br />

‘person’ next to ‘standing grains’. QX2000:209-<br />

211; GY2008:278-9; AS2007:542; SS1984:171-2.<br />

Mnemonic: PERSON RESTS AGAINST TREE<br />

15<br />

玉<br />

GYOKU, tama<br />

jewel, ball<br />

L3<br />

5 strokes<br />

GYOKUHAI jade cup<br />

tamatsuki billiards<br />

medama eyeball<br />

OBI forms show pieces of precious stone<br />

(probably jade discs) strung together on a cord<br />

. Though the shape of this graph stood in<br />

contrast to 5 ‘king, ruler’ at the OBI stage,<br />

the shapes of the two became less distinctive<br />

in bronze, and in the seal forms they were<br />

virtually indistinguishable. In clerical script, <br />

was commonly written with a dot, no doubt<br />

to help distinguish it from . Note, though,<br />

that as a determinative in compound graphs<br />

(e.g. 692 ‘appear’), the dot in is omitted<br />

in the majority of cases. The meaning ‘ball’ for<br />

is Japanese-only usage. KJ1970:283,933;<br />

MS1995:v2:850-63; MR2007:218; SK1984:490-91.<br />

Mnemonic: STRING OF BALL-LIKE JEWELS FIT<br />

FOR A KING<br />

16<br />

L5<br />

<br />

<br />

<br />

金<br />

KIN, KON, kane<br />

gold, metal, money<br />

8 strokes<br />

KIN’YŌbi Friday<br />

KONJIKI gold color<br />

kanemochi rich person<br />

Variations in shape in the earliest occurrences<br />

/ , namely bronze inscriptions, have led to<br />

different interpretations. Shirakawa takes the<br />

small dots or dashes as representing lumps of<br />

cast metal (bronze). Another view additionally<br />

treats the main part of the graph as depicting<br />

an arrow at the top and an ax lower down<br />

(Wen). Different again is a view (Katō) which<br />

breaks the graph down into two semantic<br />

elements: 64 ‘earth’, together with dots to<br />

represent something in the earth, and then an<br />

abbreviated form of 138 (‘top/cover’) as a<br />

phonetic indicator. At an early stage in China,<br />

often used in the sense of ‘bronze’, then sometimes<br />

‘gold’, and by extension metals in general.<br />

SS1984:208; KJ1970:955-6; WL2010:410. We<br />

suggest remembering by using 5 ‘king’.<br />

Mnemonic: KING KEEPS TWO GOLD NUGGETS<br />

UNDER COVER<br />

17<br />

L5<br />

<br />

<br />

<br />

空<br />

KŪ, sora, kara<br />

sky, empty<br />

8 strokes<br />

KŪKI air<br />

sorairo sky-blue<br />

karabako empty box<br />

Bronze . The top five strokes (of the modern<br />

form) depict the entrance to a hollowed-out pit,<br />

or cave 860, i.e., something empty; subsequently<br />

extended to mean ‘sky’. The lower element<br />

125 (‘work, tool’) serves as a phonetic,<br />

with an associated sense of ‘hole’. References:<br />

SS1984:220; KJ1970:401; MS1995:v2:974-5. We<br />

suggest remembering by using in its meaning<br />

of ‘work’.<br />

Mnemonic: WORK TO OPEN THE ROOF TO<br />

SEE THE EMPTY SKY<br />

The 80 First Grade Characters 51

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