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516<br />

L3<br />

<br />

<br />

<br />

察<br />

SATSU<br />

judge, surmise, realise<br />

14 strokes<br />

KEISATSUpolice<br />

SATCHIinference<br />

KANSATSUobservation<br />

Seal ; late graph (Shuowen). There are diverse<br />

interpretations for this graph, and the etymology<br />

is uncertain. There is general agreement<br />

regarding 30 ‘roof’ as ‘cover’, though Katō<br />

appears to believe that a cover is specifically<br />

being put on a roof. As for 299 ‘worship; festival’<br />

(originally meat [and in some cases wine]<br />

being placed on an offering table/altar), Katō<br />

and Yamada treat this as a phonetic component<br />

with an associated sense ‘place on top’, to give<br />

the overall meaning ‘cover’. Yamada regards the<br />

meanings ‘look carefully, examine’ as loan usage.<br />

Katō too is of the same opinion. Shirakawa,<br />

for his part, takes as having a semantic<br />

role, with its original meaning, to give the<br />

proposed overall meaning of ‘make offerings<br />

in a shrine’ – presumably under a roof. Tōdō,<br />

by contrast, proposes the associated sense<br />

‘cleanse and examine’, on the basis of classical<br />

usage. KJ1970:426; YK1976:205; SS1984:349;<br />

KJ1985:172. As a mnemonic, we suggest taking<br />

as a roof, and as ‘worship’.<br />

Mnemonic: SURMISE WHY ONE WORSHIPS<br />

UNDER ROOF<br />

517<br />

L4<br />

<br />

<br />

<br />

参<br />

8<br />

SAN, mairu<br />

go, attend, three, be<br />

upset/ in love<br />

strokes<br />

SANKAparticipation<br />

SANKŌreference<br />

SANGICouncillor<br />

Bronze ; seal ; traditional . The bronze<br />

form depicts three hairpins with pearls attached,<br />

adorning the hair of a kneeling person<br />

(woman). The element of what what looks like<br />

three brush hairs or strokes (see 115) is taken<br />

as phonetic here, with an associated sense<br />

‘beautiful’. The overall meaning is thus ‘beautiful<br />

woman adorned with hairpins’. The meaning<br />

‘three’ is a loan usage; Katō draws attention<br />

to the usage of threes in the graph. Another<br />

meaning, namely ‘go’, is probably also a loan<br />

usage according to Katō. Note, however, that<br />

Tōdō, on the basis of classical usage, includes<br />

in a word-family ‘many come together’, and<br />

this interpretation – if followed – provides a<br />

movement-related meaning which could be<br />

extended (generalised) to ‘go’. KJ1970:40-41;<br />

YK1976:207; MS1995:v1:626-7; TA1965:811-14;<br />

KJ1985:93. As a somewhat crude and unromantic<br />

mnemonic, we suggest taking – in descending<br />

order – as a nose, the central element as<br />

a variant of 56 ‘big’, with the three hairs.<br />

Mnemonic: THREE BIG HAIRS UP YOUR<br />

NOSE – GO AND ATTEND TO THEM !<br />

518<br />

L4<br />

<br />

<br />

<br />

産<br />

SAN, umu/mareru<br />

birth, produce<br />

11 strokes<br />

SEISANproduction<br />

SANBUTSUproduct<br />

SHUSSANbirth<br />

Bronze ; seal ; traditional 產 . General agreement<br />

that lower element is 44 ‘vegetation<br />

growing; life’, but views vary regarding other<br />

part(s) of the graph. One analysis takes 产 as<br />

phonetic with associated sense ‘grow’ (Katō,<br />

Yamada). Mizukami notes a view that 产 is an<br />

abbreviation of 103 (‘fine young man’), but<br />

Katō disagrees. Ogawa, alternatively, takes<br />

as having the associated sense ‘open’, meaning<br />

‘womb opens and new life is produced’.<br />

KJ1970:221-2; YK1976:208; MS1995:v2:868-9;<br />

OT1968:666. As a mnemonic for the modern<br />

form we suggest taking 产 as 77 ‘standing’<br />

on a cliff .<br />

Mnemonic: LIVE BIRTH STANDING ON CLIFF!<br />

The 200 Fourth Grade Characters 175

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