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meaning, and ‘mountain stream’ as an extended<br />

sense on the basis that most such gullies have<br />

water running through them. The seal form<br />

(CO ) ‘valley; mountain stream’ is treated<br />

separately from in Shuowen, but Kangxi<br />

zidian treats both as being the same. Note: <br />

is made up of 1739 ‘claw’ – sometimes, as<br />

here, ‘hand’ – with 29 ‘thread’ (here, ‘rope’),<br />

with 56 ‘big’ (here, ‘person’), giving ‘person<br />

bound with rope’, i.e. ‘(one type of) slave’ (Gu).<br />

OT1968:585; GY2008:1656,1091; QX2000:264;<br />

MS1995:v1:304-05; AS2007:526. We suggest<br />

taking as ‘man’ 601.<br />

Mnemonic: MAN PLUCKED BY CLAWS FROM<br />

WATER IN VALLEY<br />

1263<br />

L1<br />

蛍<br />

KEI, hotaru<br />

firefly<br />

11 strokes<br />

KEIKŌfluorescence<br />

KEISETSUstudying<br />

hotarugari catching fireflies<br />

Bronze ( ). Not in Shuowen. Traditional<br />

form: . Clearly there is 60 ‘insect’, but<br />

views diverge concerning in this graph.<br />

According to Qiu there is a bronze form<br />

equivalent to which once functioned as<br />

an independent graph, and originally depicted<br />

burning torches, and this does seem<br />

a reasonable interpretation of the bronze<br />

shape. Qiu regards as the ancestral form<br />

of ‘flicker’ (Schuessler says ‘light of a lamp/<br />

fire’), but cautions against taking as always<br />

functioning as an abbreviation of in<br />

later stages of the script. A similar view takes<br />

(bronze form) as ‘crossed pine torches’,<br />

giving ‘insect which flies and emits light’<br />

(Shirakawa). Alternatively, the top part of the<br />

bronze predecessor of is taken as representing<br />

flames or light of fire, but the graph<br />

as a whole is interpreted as the predecessor<br />

of (Katō). QX2000:237,239; AS2007:575;<br />

SS1984:233-4; KJ1970:79-80. Suggest taking<br />

top element as ‘ornate cover’, and three short<br />

strokes as flames.<br />

Mnemonic: A FIREFLY IS AN INSECT<br />

ORNATELY COVERED WITH ‘FLAMES’<br />

1264<br />

傾<br />

KEI, katamuku/keru<br />

incline, dedicate<br />

L2<br />

13 strokes<br />

KEIKŌtendency<br />

KEITŌdevotion<br />

KEISHADO gradient<br />

Seal ; late graph (Shuowen). Originally<br />

written (see Note below), with 103<br />

‘head’, and (originally, pictograph of<br />

person with bent, withered leg; by extension,<br />

‘bent’) as semantic and phonetic,<br />

usually taken as giving ‘incline the head’;<br />

later generalized to ‘incline/lean’. By seal<br />

stage, when was also being borrowed to<br />

represent several other words, ‘person’ 41<br />

was added to more clearly indicate ‘lean/incline’,<br />

thus . ‘Dedication’ is minor extended<br />

sense. Note 1: is now used to write koro<br />

‘time, period’; see 1356. Note 2: is taken<br />

by Mizukami and Katō as originally showing<br />

a bent, withered leg, and based on shape by<br />

extension ‘ladle’. Ogawa, though, takes ‘ladle’<br />

as orig. meaning, and Gu takes as ‘woman<br />

kneeling submissively’, while Katō considers<br />

in /as having only a phonetic role<br />

with associated sense ‘not straight’, and by<br />

extension ‘lame’, and that the Shuowen explanation<br />

should be seen as ‘head’ representing<br />

‘body’, thus giving ‘bent body’, but this<br />

seems debatable. See also Appendix for <br />

contrasting with 匕 (‘change’). TA1965:504-<br />

9; GY2008:602,1074,11; MS1995:v1:154-5;<br />

OT1968:77,132; KJ1970:357,796; AS2007:432.<br />

Suggest association with ‘change’ 258 in<br />

its original sense ‘fallen person’.<br />

Mnemonic: FALLEN BENT PERSON CHANGES<br />

INCLINATION OF HEAD<br />

The Remaining 1130 Characters 375

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