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1624<br />

L1<br />

塑<br />

SO<br />

model, figurine<br />

13 strokes<br />

SOZŌfigure, figurine<br />

CHŌSOplastic arts<br />

KASOSEIplasticity<br />

A very late graph (Song and Yuan dynasties onwards).<br />

Has 64 ‘earth’, here in its occasional<br />

meaning ‘clay’, and (‘new moon, first day<br />

of lunar month’; see Note below) as phonetic<br />

with associated sense taken as i] ‘model after’,<br />

giving ‘imitate shape with clay’ (Katō), or ii]<br />

‘scrape’, giving ‘figure made by scraping away<br />

clay’ (Ogawa). Both analyses give ‘model’ (in the<br />

sense ‘likeness’). Note: has 18 ‘moon’, and<br />

屰 675 (interpreted as meaning either ‘person<br />

upside down’ or ‘branch without leaves’) as<br />

phonetic with associated sense ‘return to point<br />

of origin’ or ‘go in opposite direction’, giving<br />

‘moonlight shines again from original position’<br />

(Mizukami). KJ1970:640; OT1968:222;<br />

MS1995:v1:638-9; SS1984:536;. We suggest<br />

taking 屰 as ‘upside-down’ and 18 ‘moon’.<br />

Mnemonic: EARTHEN MODEL OF<br />

UPSIDE-DOWN MOON<br />

1625<br />

遡<br />

SO, sakanoboru<br />

Seal ; late graph (Shuowen). The entry<br />

go upstream, back<br />

L1<br />

heading in Shuowen has 42 ‘water’ as<br />

14 strokes ( 遡 )<br />

determinative, and notes 遡 as an alternative,<br />

which has / 85 ‘go, walk’ instead. <br />

遡 SOKYŪTEKIretroactive<br />

(see 1624 Note) is phonetic with associated<br />

遡 SOKŌgoing upstream<br />

sense ‘return to point of origin, go back’, thus<br />

遡 sakanoborugo back/upstream<br />

‘go upstream’, then generalized to ‘ go back’.<br />

Today, is a variant in Japanese. OT1968:600;<br />

GY1658-9. As with 1624, we suggest taking 屰<br />

as ‘upside-down’ and 18 ‘moon’.<br />

Mnemonic: GO BACK UPSTREAM TO SEE<br />

UPSIDE-DOWN MOON<br />

1626<br />

礎<br />

SO, ishizue<br />

ancient state in China’ has 79 ‘forest, trees’,<br />

foundation stone and 1574 (‘leg, foot’) as phonetic with<br />

L1<br />

18 strokes<br />

associated sense taken as i] ‘thicket’, giving<br />

‘small shrubs, many small shrubs’ (Katō), or<br />

SOSEKIfoundation stone<br />

ii] ‘separated, scattered’, giving ‘brushwood,<br />

KISObasis<br />

scattered branches’ (Tōdō; noted in Mizukami<br />

also). Schuessler gives meaning of as<br />

KISOTEKIelementary<br />

‘thorny bush/tree’ (also given in Mizukami, as<br />

extended sense). ‘Chu’ as the name of an ancient<br />

Chinese state appears to be a loan usage.<br />

KJ1970:585-6; SS1984:537; OT1968:716;<br />

MS1995:v1:680-81; AS2007:193. We suggest<br />

taking as ‘two trees’ 73.<br />

Seal ; late graph (later version of Shuowen).<br />

Has 47 ‘stone’, and (see Note) as<br />

phonetic with associated sense taken as i]<br />

‘place beneath pillar’, giving ‘stone to place<br />

beneath pillar’ (Katō, Shirakawa), or ii] ‘beginning’,<br />

giving ‘stone which is placed first’<br />

(Ogawa); in either case, overall meaning is<br />

‘foundation stone’, then narrowed to ‘foundation’.<br />

Note: ‘thicket, thorny bush; name of<br />

Mnemonic: FOUNDATION STONE LAID AT<br />

FOOT OF TWO TREES<br />

482 The Remaining 1130 Characters

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