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411<br />

L3<br />

<br />

<br />

<br />

平<br />

HEI, BYŌ, taira, hiratai<br />

flat, even, calm<br />

5 strokes<br />

HEIKIcalmness<br />

BYŌDŌequality<br />

hiratepalm of hand<br />

OBI ; bronze . The bottom two strokes of<br />

the OBI form show an aquatic plant. Yamada<br />

suggests the curved shape indicates it has no<br />

roots and is just floating, and takes the three<br />

strokes above as the OBI graph for 38 ‘small’,<br />

to give ‘small floating plant’; at the bronze<br />

stage, the top horizontal stroke was added,<br />

probably for the flat surface of the water. ‘Flat,<br />

even’ is extended usage, and ‘calm’ a further<br />

extended sense. YK1976:443; KJ1970:167;<br />

MS1995:v1:446-7. We suggest taking the graph<br />

as a whole, i.e. as a pictograph, of evenly balanced<br />

scales.<br />

Mnemonic: SCALES ARE FLAT AND EVEN<br />

412<br />

返<br />

HEN, kaesu/ru<br />

return<br />

L3<br />

7 strokes<br />

HENJIreply<br />

HENSAIrepayment<br />

shikaeshiretaliation<br />

413<br />

勉<br />

BEN<br />

strive<br />

L4<br />

10 strokes<br />

BENKYŌstudy<br />

KINBENdiligence<br />

BENGAKUstudy<br />

Seal ; a late graph (Shuowen). Katō and Yamada<br />

take as 78 ‘strength, power’, with 2018<br />

Bronze ; seal . Has 85 ‘go, walk, move’,<br />

and 393 (‘oppose’) as phonetic, here with<br />

associated sense ‘return, reverse’. KJ1970:786-7;<br />

MS1995:v2:1284-5; YK1976:446.<br />

Mnemonic: REVERSE MOVEMENT AND<br />

RETURN<br />

q.v. (originally a woman striving to give birth;<br />

now meaning ‘avoid, escape’) as phonetic with<br />

associated sense ‘be born’. Along the same lines,<br />

Tōdō notes as the original way of writing NJK<br />

‘childbirth’, and includes it in the word-family<br />

‘take out/produce with great effort’. The graph<br />

thus has the meaning ‘make an effort, strive’.<br />

KJ1970:854; YK1976:449; TA1965:739-41.<br />

Mnemonic: STRIVE STRONGLY TO ESCAPE<br />

414<br />

放<br />

HŌ, hanasu/tsu<br />

release, emit<br />

L3<br />

8 strokes<br />

KAIHŌliberation<br />

HŌSHAradiation<br />

tebanasulet go<br />

Bronze . Has (usual right-hand form of <br />

112 ‘hit with a stick’), and left-hand element<br />

with disputed function and meaning. Based<br />

on bronze forms, Mizukami interprets the lefthand<br />

element as 223 (‘direction, person’),<br />

serving as phonetic with associated sense<br />

‘release, spread, extend’. Shirakawa, alternatively,<br />

takes as showing an exposed corpse, and<br />

the whole graph as showing the corpse being<br />

beaten in a ritual to drive out evil spirits. Ogawa<br />

regards what others take as as in error for<br />

41 ‘person’. Whichever analysis is followed,<br />

in broad terms the overall sense is still ‘beat<br />

with a stick and chase away’, leading to other<br />

related meanings such as ‘emit’ and ‘release’.<br />

MS1995:v1:570-71; SS1984:785; OT1968:435;<br />

YK1976:453.<br />

Mnemonic: BEATING A PERSON IS A FORM<br />

OF RELEASE FOR SOME<br />

146 The 200 Third Grade Characters

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