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for ‘uncle younger than one’s parents’ (Mizukami,<br />

Tōdō), this latter helping to explain the<br />

writing for ‘uncle’. Mizukami also lists proposed<br />

OBI equivalents for . MS1995:v1:198-9;<br />

KJ1970; TA1965:189; OT1968:155; TA1965:199;<br />

1467<br />

L1<br />

淑<br />

SHUKU<br />

pure, graceful<br />

11 strokes<br />

TEISHUKUchastity<br />

SHUKUJOlady<br />

SHISHUKU admiration<br />

Seal . Has 42 ‘water’, and 1466 (‘uncle’)<br />

as phonetic with associated sense ‘clean,<br />

pure’, giving ‘pure water’ (Katō) or ‘clear deep<br />

water’ (Mizukami), and taking ‘good, graceful’<br />

as a loan usage, though it may be argued<br />

1468<br />

L1<br />

粛<br />

11<br />

SHUKU<br />

solemn, quiet, be<br />

awed<br />

strokes<br />

SHUKUZEN tosolemnly<br />

JISHUKUself control<br />

GENSHUKU solemnity<br />

Bronze ; seal ; traditional . In one view,<br />

taken as consisting of (original way of writing<br />

‘deep pool’), and 159 ‘writing brush’<br />

(originally, pictograph of hand holding writing<br />

brush) as phonetic with associated sense typically<br />

taken as ‘pale and dark’ or ‘black’, giving<br />

‘water in pool is pale and dark/black’ (Katō) or<br />

‘water in pool is deep and clear’ (Mizukami).<br />

1469<br />

塾<br />

JUKU<br />

juku, private school<br />

L1<br />

14 strokes<br />

JUKUSEIjuku student<br />

JUKUSOKUjuku rules<br />

SHIJUKU home-based juku<br />

Seal ; a late graph (later version of Shuowen).<br />

Has 64 ‘earth, ground’, and (distortion<br />

in shape of the seal form, orig. ‘cook’; see Note<br />

below) as phonetic with associated sense ‘make<br />

level/even’, interpreted as ‘building with rooms<br />

having earthen walls either side of entrance<br />

SS1984:417; AS2007:469. Suggest taking lefthand<br />

element as ‘almost’ walk 221.<br />

Mnemonic: WITH HELPING HAND, YOUNG<br />

UNCLE CAN ALMOST WALK<br />

that it is an extended meaning. Note: several<br />

commentators (Gu, Shirakawa) consider that<br />

originally in bronze was written in a shape<br />

corresponding to the bronze form for 1714<br />

‘mourn’, but Mizukami and Katō maintain they<br />

were separate graphs even at that early stage.<br />

GY2008:1318; KJ1970:521; MS1995:v2:758-<br />

9,v1:466-7; SS1984:418.<br />

Mnemonic: UNCLE DRINKS PURE WATER<br />

Or: UNCLE IS GRACEFUL IN WATER<br />

Ogawa, alternatively, takes the associated<br />

sense as ‘quick, rapid’, giving ‘rapid water’, i.e.<br />

‘rapid current’. Meanings such as ‘be in awe’ are<br />

generally considered to represent a loan usage.<br />

However, Gu prefers to regard here as not<br />

‘writing brush’ but ‘boat pole’, and suggests<br />

meanings such as ‘be in awe’ are extended<br />

senses deriving from a sense of being careful<br />

when travelling in a boat over deep water.<br />

MS1995:v2:1064-6; KJ1970:522-3; OT1968:814;<br />

GY2008:742. We suggest taking the modern<br />

graph as variant ‘hand’ (holding stick for pounding)<br />

, ‘rice’ 220, and an open container .<br />

Mnemonic: HAND SOLEMNLY POUNDS RICE<br />

IN OPEN CONTAINER – AWESOME!<br />

gate’ (Tōdō), or – in similar vein – ‘buildings<br />

either side of entrance gate’ (Ogawa). The<br />

main building would have been for a person<br />

of high status (Gu says ‘palace’). Such rooms<br />

or buildings were used for education, and so<br />

by extension ‘private academy’, or in modern<br />

usage ‘cram school’. As an indicator of socio-cultural<br />

values regarding education, the majority<br />

of students – particularly junior high students<br />

– spend virtually as many hours in juku than<br />

they do at school. Most of them attend juku<br />

on a Saturday, and several nights a week. And<br />

there is often no consideration for political<br />

The Remaining 1130 Characters 435

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