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1501<br />

L1<br />

<br />

<br />

<br />

掌<br />

SHŌ, tanagokoro<br />

control, palm (hand)<br />

12 strokes<br />

SHŌCHŪin one’s hand<br />

SHASHŌconductor<br />

SHOKUSHŌhold office, duty<br />

Seal ; late graph (Shuowen). Has 34<br />

‘hand’, and 1491 (see ‘furthermore’)<br />

as phonetic with associated sense taken<br />

as i] ‘apply, put against’, thus ‘(that part of)<br />

hand placed onto something’, i.e. ‘palm of<br />

1502<br />

晶<br />

SHŌ<br />

crystal, clear, bright<br />

L1<br />

12 strokes<br />

SUISHŌcrystal, quartz<br />

SHŌKAcrystallization<br />

KESSHŌcrystallization<br />

OBI ; seal . Originally a pictograph.<br />

Some OBI occurrences have three identical<br />

elements similar in shape to 22 ‘mouth’,<br />

while others have three elements similar in<br />

1503<br />

L1<br />

焦<br />

12<br />

SHŌ, kogeru/gasu,<br />

aseru, jireru<br />

scorch,fret,hasty<br />

strokes<br />

SHŌDOscorched earth<br />

SHŌSHINimpatience<br />

kurokogecharring<br />

hand’ (Tōdō, Ogawa), or ii] ‘take hold of with<br />

fingers’, thus ‘take hold of something with<br />

fingers facing down’ (Katō). Based on seal<br />

form, shape of phonetic should have stayed<br />

as in the traditional form, but it seems to<br />

have changed to at quite an early period<br />

(clerical script, then block script). ‘Control’ is<br />

an extended sense (cf English ‘manipulation’).<br />

TA1965:351-2; OT1968:418; KJ1970:430-31;<br />

SK1984:336.<br />

Mnemonic: FURTHERMORE, PALM OF HAND<br />

CONTROLS<br />

shape to 66 ‘sun’, but in all cases each element<br />

is unrelated to ‘sun’ or ‘mouth’, instead<br />

representing what appears as a small star in<br />

the sky, so the original meaning of the graph<br />

is ‘star(s)’; by extension, ‘clear light’, ‘crystal’.<br />

QX2000:223; MR2007:357; GY2008:1418;<br />

KJ1970:596. For convenience we suggest<br />

remembering the graph as ‘three suns’.<br />

Mnemonic: THREE SUNS MAKE IT BRIGHT<br />

AND CRYSTAL CLEAR.<br />

Bronze ; seal . Typically taken as 324<br />

‘short-tailed bird, bird’ over 8 ‘fire’, giving<br />

‘roast bird over fire’, and by extension ‘burn, get<br />

burnt’ (Gu, Ogawa, Tōdō). Katō prefers to treat<br />

here as phonetic with associated sense<br />

‘burn till black’. ‘Fret’ is perhaps an extended<br />

meaning, and ‘hasty’ is a Japanese-only meaning.<br />

GY2008:1459; TA1965:209; OT1968:620;<br />

KJ1970:605; MS1995:v2:816-7.<br />

Mnemonic: BIRD FRETS WHEN HASTILY<br />

SCORCHED OVER FIRE<br />

1504<br />

硝<br />

SHŌ<br />

niter, gunpowder<br />

L1<br />

12 strokes<br />

SHŌSANnitric acid<br />

SHŌYAKUgunpowder<br />

garasu*glass<br />

A late, post-Shuowen graph. Originally used<br />

to mean a mineral encrustation often called<br />

‘saltpeter’, i.e. potassium nitrate, employed<br />

in traditional Chinese medicine for digestion<br />

and as a laxative. Reflecting this, the corresponding<br />

word in Chinese was at first written<br />

using the different graph (but same phonetic)<br />

332 (‘extinguish’). Later, the new graph<br />

was devised, replacing 42 ‘water’ with<br />

The Remaining 1130 Characters 445

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