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76<br />

L5<br />

目<br />

5<br />

MOKU, me, ma<br />

eye, look, mesh,<br />

ordinal suffix<br />

strokes<br />

hitomeglance<br />

hitotsumefirst<br />

CHŪMOKUattention<br />

OBI shows it as based on pictograph of an<br />

eye, generating a range of extended meanings.<br />

Use for ordinal suffix is loan usage. SS1984:824;<br />

QX2000:178; KJ1970:873.<br />

Mnemonic: SQUARE-EYED AND VERTICAL –<br />

WATCHING TOO MUCH TV?<br />

77<br />

立<br />

RITSU, tatsu/teru<br />

stand, rise, leave<br />

L5<br />

5 strokes<br />

JIRITSUindependence<br />

tachibastandpoint<br />

medatsustand out<br />

OBI and bronze forms such as depict a person<br />

standing, ground beneath them to emphasize<br />

the act of standing rather than the figure.<br />

Later forms such as show little change.<br />

SS1984:875; QX2000:19; OT1968:744. ‘Leave’ is<br />

an extended meaning based on rising.<br />

Mnemonic: STAND TO TAKE YOUR LEAVE<br />

78<br />

力<br />

RYOKU, RIKI, chikara<br />

strength, effort<br />

L4<br />

2 strokes<br />

NŌRYOKUability<br />

JINRIKISHArickshaw<br />

chikaramochistrongman<br />

Early forms such as OBI seem to be generally<br />

interpreted as showing an arm and hand. Less<br />

convincingly, Shirakawa prefers to interpret as<br />

depicting a plow, and by association<br />

agricultural work and therefore physical<br />

strength. (See also 57 ‘male’.) On the other<br />

hand, if it were indeed a plow, it could be<br />

argued that one might expect rather a meaning<br />

such as ‘cutting’ or ‘planting’ or ‘preparing’.<br />

KJ1970:907; YK1976:492; BK1957:244;<br />

OT1968:123; SS1984:888-9. We suggest taking<br />

the modern form as a shoulder and upper arm.<br />

Mnemonic: STRONG UPPER ARM AND SHOULDER<br />

79<br />

L4<br />

林<br />

RIN, hayashi<br />

forest<br />

8 strokes<br />

RINGAKUforestry<br />

Kobayashia surname<br />

MITSURINdense forest<br />

Early forms show a simple doubling of ‘tree’<br />

73. Unlike in Japanese, in Chinese from<br />

the outset and 40 ‘woods’ have been<br />

used with essentially the same meaning, i.e.<br />

‘forest’. Schuessler considers the Chinese word<br />

written probably evolved as an intensive<br />

derivative from that written as . MR2007:341;<br />

SS1984:889; QX2000:54; AS2007:358-9;<br />

QX2000:198.<br />

Mnemonic: TWO TALL TREES IN THE FOREST<br />

80<br />

L5<br />

<br />

<br />

<br />

六<br />

ROKU, musix<br />

4 strokes<br />

ROKUGATSUJune<br />

muika*sixth day<br />

ROKKAKUhexagon<br />

OBI and bronze forms seem to indicate<br />

a simple building of some sort (Shirakawa<br />

suggests a temporary, tent-like structure), the<br />

graph then probably having been borrowed for<br />

the meaning ‘six’ through the phonetic loan principle.<br />

Qiu prefers a more abstract interpretation,<br />

taking it just as a geometric symbol. SS1984:919;<br />

KJ1970:43-4; OT1968:96; QX2000:32. We suggest<br />

taking the whole form as a pictorial mnemonic.<br />

Mnemonic: LADEN TABLE FOR SIX LOSES ITS<br />

LEGS<br />

The 80 First Grade Characters 65

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