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1918<br />

譜<br />

FU<br />

notation, genealogy<br />

L1<br />

19 strokes<br />

KEIFUgenealogy<br />

GAKUFUmusical score<br />

NENPUchronological record<br />

1919<br />

侮<br />

BU, anadoru<br />

scorn, despise<br />

L1<br />

8 strokes<br />

BUJOKUinsult<br />

KEIBUcontempt<br />

BUMANoffence, insult<br />

Seal ; a late graph (later version of Shuowen).<br />

Consists of 118 ‘words; speak’ (here best<br />

taken as ‘written words, text’), combined with<br />

1913 (‘widely, generally’) as phonetic with<br />

associated sense ‘put in order, arrange’, giving<br />

‘documents with material in set order’. Used for<br />

a range of document types such as genealogies,<br />

chronological lists, and musical scores.<br />

SS1984:744; OT1968:944.<br />

Mnemonic: GENEALOGY IS WIDELY SPOKEN<br />

OF<br />

Bronze ; seal ; traditional . Has 41<br />

‘person’, with (traditional form of 225<br />

‘each, every’) as phonetic with associated<br />

sense ‘ignore, ridicule, despise’, thus ‘ridicule,<br />

despise’. MS1995:v1:68-9; KJ1970:859;<br />

SS1984:745; OT1968:61; GY2008:883.<br />

Mnemonic: DESPISE EVERY PERSON<br />

1920<br />

舞<br />

BU, mau<br />

dance, flit<br />

L2<br />

15 strokes<br />

BUTAIstage<br />

maikodancing girl<br />

furumaibehavior<br />

OBI ; seal . At the OBI stage, and <br />

620 ‘not have, not’ were written in the same<br />

way, originally depicting a dancing figure with<br />

what is interpreted as either holding oxtails<br />

(Qiu, Ma), or wearing long decorative sleeves<br />

(Ogawa, Shirakawa), either way giving ‘dance’<br />

(possibly in a ritual sense). This graph mean-<br />

ing ‘dance’ was later borrowed to represent<br />

another word of similar pronunciation in early<br />

Chinese meaning ‘not be, not have, not’, and<br />

when this loan usage became common, <br />

1278 (‘feet pointed away from each other’)<br />

was added to the graph to indicate overtly the<br />

original meaning ‘dance’. The idea of oxtails is<br />

not as bizarre as it might seem (see 620).<br />

QX2000:186-7,265; OT1968:837; MR2007:331;<br />

MS1995:v2:1096-8; SS1984:746-7. Take upper<br />

part as bound wheatsheaf.<br />

Mnemonic: DANCING WITH POINTED FEET<br />

AROUND BOUND WHEATSHEAF<br />

1921<br />

封<br />

FŪ, HŌ<br />

OBI ; seal . OBI and bronze forms vary<br />

close off, fief<br />

but are broadly similar, showing a sapling,<br />

L2<br />

9 strokes<br />

in some cases with 2003 ‘hand’ as second<br />

element to indicate planting. In ancient<br />

FŪTŌenvelope<br />

China planting trees often indicated a<br />

FŪSAblockade<br />

boundary, thus overall meaning is ‘plant<br />

HŌKENfeudalism<br />

sapling to mark boundary’; Gu considers the<br />

sapling is being planted on a mound. Mizu-<br />

574 The Remaining 1130 Characters

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