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A Series of Lessons on the Inner Teachings of the Philosophies and Religions of India1274<br />

every man’s soul as a mirror in which was reflected the Image of God, and<br />

which image constituted the Spirit with each man, and which was his true<br />

Self. There is a great difference between the conception of the Indwelling<br />

Spirit—the Immanent God, and that of the “I Am God” teachers.<br />

One of the most confusing points about the Sufi teachings, to the Western<br />

mind, is the symbology of the writers, and the corresponding fact that many<br />

of their sacred writings seem to be mere voluptuous and bacchanalian<br />

rhapsodies, filled with references to “the grape,” or “the vine,” or the “red wine,<br />

and wine-cup,” as well as praises of “the Beloved Damsel”; the “Beloved”; the<br />

“Embrace of Love”; the “Nuptial Couch”; and much other imagery which to<br />

the Western mind is connected, with subjects far removed from religion and<br />

devotion. But when one has the key, and recognizes, as does the Persian,<br />

that in these verses there is to be seen two separate meanings, besides the<br />

five mystical meanings, which are claimed for all mystic poetry, there may be<br />

an understanding.<br />

The cause of this peculiar style lies in the fact that outside of the natural<br />

exuberant imagery of the Oriental mind, which the West finds difficult to<br />

understand, there always has been the necessity of the Sufi veiling his inner<br />

meaning beneath the form of current poetical subjects. Surrounded on all<br />

sides by the hordes of ignorant, bigoted, fanatical orthodox Mahommedans,<br />

the Sufi has been compelled to take refuge in this peculiar symbology. To<br />

the Persian, and particularly to the Sufi mystic, there must always be a “veil”<br />

before the outer and vulgar meaning of the verses, which veil must be pulled<br />

aside by the elect before they may see the beauties which lie behind the<br />

covering—the vulgar see nothing but the painted veil with its gross, sensual<br />

figures appearing thereon, which veil is boldly pulled aside by those who<br />

Understand, and who would see the truth Behind the Veil.<br />

This symbolism is based upon the Ecstasy of the Recognition of the<br />

God Within—the Presence of the Indwelling Spirit. And accordingly, “The<br />

Embrace” means the ecstasy of the conscious Union with Divinity; the<br />

“Wedding” the entrance into the Knowledge; the “Wine” the Sufi Mystical

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