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A Series of Lessons on the Inner Teachings of the Philosophies and Religions of India1344<br />

animals—in short that which is similar to what in the western world are<br />

called “materializations’” in spiritualistic seances, although there is really no<br />

connection between the two classes of phenomena, as we shall see as we<br />

proceed. There is practically no limit to the variety possible to the person<br />

possessing the ability to produce or rather to induce the illusive mental<br />

state which lies at the bottom of this class of manifestations. An enterprising<br />

Western magician, were he possessed of the power of producing this<br />

illusion, would startle the world by sensational exhibitions of his wondrous<br />

power. But the Hindu fakir does not seem to wish to “spread himself out”<br />

in this way—such would be contrary to the traditions of his class and race,<br />

and he prefers to move along in the same old ways that have been followed<br />

by the many generations of teacher and pupils before him—for his trade<br />

is an old one, and each fakir descends in a direct line from hundreds who<br />

have preceded him, and from whom he has acquired the little “knack” of<br />

producing the illusion, as well as the methods whereby he has acquired the<br />

power of concentration.<br />

For, let the truth be known, while the basis of these feats is the strong,<br />

concentrated will and mind of the fakir, trained by methods handed down<br />

from the centuries, still the details of the performance are practically those<br />

of the magician of the West, and are arranged with an eye to effect and<br />

“stage business.” This must be so necessarily, for the fakir is a public performer<br />

and his business must be managed so as to produce the best effects. He<br />

is not filled with the scientific spirit, nor is he possessed of high spiritual<br />

ideals. He simply has come into the possession of certain methods of mental<br />

training, whereby he is able to “psychologize” his audience, and to project<br />

“thought-forms,” which will seem as realities to his spectators, and he uses<br />

the power to entertain, amuse, and bewilder the crowds that flock around<br />

him in his travels. Many Hindus and many Western men have endeavored<br />

to extract the secret of the process from these itinerant wonder-workers,<br />

but without avail—large sums of money have been offered them, but<br />

they have spurned it. The truth is that they have taken sacred oaths to the

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