Mise en page 1 - Théâtre Massalia
Mise en page 1 - Théâtre Massalia
Mise en page 1 - Théâtre Massalia
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La solitude, proposé par La P<strong>en</strong>sée de Midi<br />
Thierry Fabre<br />
It is an example. But could it be possible to...<br />
Ziya Azazi<br />
To say it in danse ! Ok.<br />
Thierry Fabre<br />
Yes ! Your inheritage in dancing. Je posais la question de savoir comm<strong>en</strong>t les métaphores,<br />
les exemples qu’il donnait, de transplantations, de rapport aux arbres, aux atomes,<br />
comm<strong>en</strong>t ça pouvait faire s<strong>en</strong>s dans la question de la rev<strong>en</strong>dication d’un héritage formel<br />
dans la danse, dans la tradition soufi et de la danse des Derviches qui tourn<strong>en</strong>t et de ce<br />
qu’il <strong>en</strong> a fait dans la danse contemporaine.<br />
Ziya Azazi<br />
In my dance, I am searching the basic rules of the universe, of the <strong>en</strong>ergy of “God”,<br />
“Allah”, “devil” I don’t know what it is, and how it works. It works. I don’t know how, but<br />
I’m searching for this basic rules as a dancer. Therefore, I like to speak in an abstract way,<br />
instaed of saying, well, the Dervish was dancing like this, and I decide it’s too ori<strong>en</strong>tal, so<br />
I decide to put some contemporary elem<strong>en</strong>ts and let’s make “<strong>en</strong>chaîné, <strong>en</strong>chaîné,<br />
<strong>en</strong>chaîné”. (Il montre une position de danse classique, un tour).<br />
Thierry Fabre<br />
Enchaîné ?<br />
Ziya Azazi<br />
You know, like a ballerine. For me, it’s too direct, so if I give abstract explanation, this<br />
explanation can be understood for musique, for literature, for dance, for life. That’s why,<br />
if you ask me for an example, I would say I realise that the goal is to repeeat something<br />
while you are dancing. It dœsn’t matter if you shake your head, or your leg, or if you play<br />
with a p<strong>en</strong>, or if you (il tape du pied et tourne ses pouces), or if you smoke cigarettes, all<br />
of them are circles. So you make a circle to fall in another side. I don’t know what it is,<br />
but you fall.<br />
Thierry Fabre<br />
C’était un cercle sacré de la danse, l’héritage des soufi.<br />
Ziya Azazi<br />
What dœs it mean “holly circle”?<br />
Thierry Fabre<br />
Coming from the soufi.<br />
Ziya Azazi<br />
Who is the soufi?<br />
Thierry Fabre<br />
You!<br />
Ziya Azazi<br />
Organism. The <strong>en</strong>ergy, the body, the matter. The matter makes <strong>en</strong>dless combination, and<br />
becomes an organism. And this organism develops itself, and it becomes human. The<br />
human start to think, and he needs to keep his knowledge, because he needs to survive.<br />
And he pays so much att<strong>en</strong>tion to his knowledge, that he starts to forget about the being.<br />
And the being is just to be. Or not to be!<br />
Thierry Fabre<br />
And you can find this in dancing? The experi<strong>en</strong>ce of being?<br />
Ziya Azazi<br />
Yes. What I realise is just to spin, to repeat, it dœsn’t matter how you repeat. In my tradition,<br />
I don’t know how it happ<strong>en</strong>s that they decide mostly for spinning. Not only spinning, there<br />
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