03.06.2013 Views

JUDAICA - Wisdom In Torah

JUDAICA - Wisdom In Torah

JUDAICA - Wisdom In Torah

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Abraham Hezekiah was proofreader for the Hebrew press<br />

in Amsterdam. He is mentioned as the proofreader of Benjamin<br />

Raphael Dias Brandon’s Orot ha-Mitzvot (1753) to which<br />

his father wrote an approbation, and to which Abraham contributed<br />

an introduction and poem consisting of 13 stanzas.<br />

Other poems by Abraham were published in works by various<br />

authors: in the Gemul Atalyah (1770) of David *Franco-<br />

Mendes, in the Se’ah Solet (1757) of Raphael b. Gabriel Norzi,<br />

and in the Maskiyyot Kesef (1760) of Mordecai b. Isaac Tamah.<br />

<strong>In</strong> about 1773 he moved to Hamburg where he succeeded his<br />

father as rabbi of the local Spanish and Portuguese community.<br />

He was the author of a book of eulogies, Sermões Funebres<br />

(Amsterdam, 1753), written in Spanish. It is doubtful that<br />

he is the author of the Yashresh Ya’akov (Nuremberg, 1768), a<br />

work on grammar and the text of the prayer book, as has been<br />

conjectured (see Benjacob, Oẓar, 234 no. 503).<br />

26.<br />

Bibliography: Ghirondi-Neppi, 10 no. 40; Kayserling, Bibl,<br />

[Yehoshua Horowitz]<br />

BASSANI, GIORGIO (1916–2000), Italian writer. Bassani,<br />

who was born in Bologna, lived for many years in Ferrara and<br />

was active in the anti-Fascist Resistance. After World War II<br />

he moved to Rome, but Ferrara, and especially its Jewish community,<br />

remained at the heart of Bassani’s literary world. His<br />

first published work was a volume of stories and poems entitled<br />

Una città di pianura (1940), published under a pseudonym<br />

because of the Fascist antisemitic laws. <strong>In</strong> 1945 he made his<br />

reputation with a book of poems, Storie di poveri amanti. His<br />

collection of short stories Cinque storie ferraresi (1956) deals<br />

with provincial life in Ferrara. One of them, “Una lapide in<br />

via Mazzini” is the story of a Jewish survivor of a concentration<br />

camp: his presence is an embarrassing reminder to the<br />

people of his native town, who wish to forget the tragedy. Gli<br />

occhiali d’oro (1958; The Gold-Rimmed Spectacles, 1960) is the<br />

story of two men rejected by society, one because he is a homosexual,<br />

the other because he is a Jew. The Jewish theme<br />

is omnipresent in Bassani’s fiction: Jewish identity is a paradigm<br />

of the malaise of modern man, who has lost his stable<br />

system of values. This theme is intertwined with the theme<br />

of memory, particularly in Il giardino dei Finzi-Contini (1962;<br />

The Garden of Finzi Contini, 1965), which has been translated<br />

into a number of languages, including Hebrew. Reality and<br />

fiction are mixed in this novel, which deals with the fate of<br />

an old and wealthy Jewish family during the Fascist years and<br />

the war, and stops just before its deportation. <strong>In</strong> L’airone (1968;<br />

The Heron, 1969) a Jewish bourgeois who leaves his property<br />

to his Christian wife and the Communist peasants represents<br />

the European bourgeois unable to establish a healthy relationship<br />

with the surrounding world. The association of a problematic<br />

Jewish identity with the crisis of the contemporary<br />

bourgeosie is also a key theme of Dietro la porta (1964; Behind<br />

the Door, 1972), the most autobiographical of his novels. Jewish<br />

characters are also present in L’odore del fieno (1972; The<br />

bassano<br />

Smell of Hay, 1997). <strong>In</strong> 1980 Bassani revised his short stories<br />

and novels and published them in one volume under the title<br />

Il romanzo di Ferrara. His poems were collected in 1982 in <strong>In</strong><br />

rima e senza; among them some texts dealing with the Jewish<br />

condition, such as “Le leggi razziali” (1974). Di là dal cuore<br />

(1984) is a collection all of Bassani’s critical essays. From 1948<br />

to 1961 he edited the literary review Botteghe Oscure and from<br />

1948 to 1961 he was a vice president of Italian radio and television;<br />

for many years he was also president of Italia nostra, an<br />

association for the preservation of the country’s artistic and<br />

natural heritage. <strong>In</strong> addition he taught the history of theater<br />

at the National Academy of Dramatic Art in Rome.<br />

Bibliography: M. Grillandi, <strong>In</strong>vito alla lettura di Bassani<br />

(1972); G. Bassani Opere (1998), with a chronology and bibliography;<br />

A. Dolfi, Giorgio Bassani: una scrittura della malinconia (2000); C.<br />

Kroha, “Judaism and Manhood in the Novels of Giorgio Bassani,” in:<br />

T. Di Napoli (ed.), The Italian Jewish Experience (2000); P. Prebys,<br />

Giorgio Bassani, Bibliografia sulle opere e sulla vita (2002).<br />

[Alessandro Guetta (2nd ed.)]<br />

BASSANI, MORDECAI (Marco in Italian; the name Hezekiah<br />

was added on the occasion of his last illness, c. 1632–1703),<br />

Italian rabbi and polemicist. <strong>In</strong> 1666 he became preacher to<br />

the Ashkenazi community of Verona, and in 1680 he became<br />

its rabbi; in 1695 he was appointed rabbi of the entire Verona<br />

community. He was the author of Sefer Bikkurim (Venice,<br />

1710) containing deathbed prayers and usages (adapted from<br />

Ma’avar Yabbok of *Aaron Berechiah ben Moses of Modena,<br />

and Shenei Luḥot Ha-Berit of Isaiah *Horowitz) written for the<br />

Bikkur Ḥolim fraternity of Verona, but later widely adopted.<br />

His treatise on divorce, entitled Mikhtav le-Ḥizkiyyah, and<br />

one on ḥaliẓah, entitled Ma’amar Mordekhai, were included<br />

by his great-grandson Menahem Navarra in his Penei Yiẓḥak<br />

(Verona, 1743). <strong>In</strong> his will he mentions a collection of “moral<br />

sermons” which he had compiled (Avnei Binyan, 1 (1938), 65).<br />

He was friendly with the Roman Catholic polemicist Fra Luigi<br />

Maria Benetelli. His criticisms of Benetelli’s polemical work,<br />

Le saette di Gionata… (Venice, 1703) together with those of<br />

Samson *Morpurgo and Abraham Joel *Conegliano prompted<br />

Benetelli’s rejoinder, I dardi rabbinici infranti… (Venice, 1705).<br />

<strong>In</strong> this work Benetelli speaks in the highest terms of the gentle<br />

manner, great charity, and admirable character of Bassani.<br />

Bassani is also the author of a lengthy responsum on the relationship<br />

between the Ashkenazi community of Verona and<br />

the smaller Sephardi community there.<br />

Bibliography: S. Baron, in: Sefer… S. Krauss (1936), 217–54;<br />

Sonne, in: Zion, 3 (1938), 123ff.; Simonsohn, in: KS, 35 (1959), 127 n. 1;<br />

253 n. 109; C. Roth, Gleanings… (1967), 203, 206–7, 213.<br />

[Cecil Roth]<br />

BASSANO, small town in Veneto (Northern Italy). The first<br />

mention of Jews in Bassano is from a document of October 7,<br />

1264; a certain Aicardo was said to own a vineyard. Only from<br />

the beginning of the 15th century, when Bassano passed over to<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 3 207

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!