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JUDAICA - Wisdom In Torah

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showed in New York at the Artist’s Gallery. A 1915 El Greco<br />

exhibition at the Knoedler Gallery made an important impact<br />

on Benn, after which time he began to gently distort the<br />

human figure and employ a more painterly approach. Benn<br />

participated in the Forum Exhibition of Modern American<br />

Painters in 1916, organized by avant-garde artists of the period,<br />

including Alfred *Steiglitz. Although at times his palette<br />

would darken, throughout his career Benn painted simplified<br />

portraits, stilllifes, and landscapes, influenced by the<br />

vibrant and colorful fauvist tendencies of Henri Matisse and<br />

the vigorous brushstroke of Chaim *Soutine. He had several<br />

one-man shows, notably an exhibition at the Jewish Museum<br />

in 1965. His works can be found in the permanent collections<br />

of the Whitney Museum of American Art and the Metropolitan<br />

Museum of Art.<br />

Bibliography: B. Benn, Ben Benn: An American Painter,<br />

1884–1983 (1983); S. Geist, “Ben Benn,” in: Art Digest, 28 (Oct. 1953):<br />

15, 25–28.<br />

[Samantha Baskind (2nd ed.)]<br />

BEN-NAPHTALI, MOSES (Or Jacob) BEN DAVID, masorete.<br />

He is assumed to have been a contemporary of Aaron b.<br />

Moses *Ben-Asher, who dates from the ninth or tenth century<br />

C.E., and an inhabitant of Tiberias. Although nothing about<br />

him is known, except his name, there survives a list of some<br />

850 minor differences from the reading of Ben Asher in vowels<br />

and accents in the Hebrew Bible. The list notes only eight<br />

variants in the consonantal text. The differences in vocalization<br />

and accents, especially as recorded by Mishael b. Uzziel<br />

(10th–11th centuries) with considerable deviations in detail in<br />

the different traditions (published by L. Lipschuetz), reveal no<br />

systematic features, and may be nothing but a gathering of traditional<br />

variants. Penkower (in bibliography) argues that the<br />

high level of agreement proves that Ben-Naphtali and Ben-<br />

Asher do not represent two rival schools regarding the biblical<br />

text, but rather the contrary. Some scholars have observed<br />

that the very name Ben-Naphtali is suspect: Naphtali in the<br />

Bible is the son of Jacob born after Asher, and the series “Ben-<br />

Asher, Ben-Naphtali” resembles the standard series of random<br />

names, “Reuben, Simeon.” <strong>In</strong> Western and Central Asia<br />

in that period it was a common feature to systematize differences<br />

by assigning them to two “schools,” only one of which<br />

existed. The closest parallel, as shown by Gotthold *Weil, is<br />

the invention of a Kufan School of Arabic grammar as a foil<br />

for the Basrian School.<br />

There are, indeed, a number of Bible manuscripts with a<br />

type of Tiberian vocalization rather different from that of the<br />

Ben-Asher school (which itself is not entirely monolithic), but<br />

the slight similarity these manuscripts share with some variant<br />

readings ascribed to Ben-Naphtali in Mishael’s list is not<br />

sufficient to substantiate the claim that they are representative<br />

of the Ben-Asher School.<br />

See also: *Masorah.<br />

Bibliography: C.D. Ginsburg, The Massorah (1880–1905);<br />

idem, <strong>In</strong>troduction to the Massoretico-Critical Edition of the Hebrew<br />

ben-ner, yitzhak<br />

Bible (1897), 241–86; Mann, Egypt, 2 (1922), 43–49; Edelmann, in:<br />

P. Kahle, Masoreten des Westens, 2 (1930), 45–68; idem, The Cairo<br />

Geniza (1947), 67–76; L. Lipschuetz, in: Textus, 2 (1962), Heb. pt. 3–58;<br />

4 (1964), 1–29; Morag, in: JSS, 4 (1959), 216–37; idem, The Vocalization<br />

Systems of Arabic, Hebrew, and Aramaic (1962), 34, 38–41; idem,<br />

in: Leshonenu, 29 (1965), 203–9; G. Weil (ed.), Abu’l-Barakāt ibn al-<br />

Anbāri, Die grammatischen Streitfragen der Basrer und Kufer (1913),<br />

48–93. Add. Bibliography: J. Penkower, in: DBI I, 119–20.<br />

[Chaim M. Rabin]<br />

BEN-NATAN, ASHER (1921– ), Israeli diplomat. Ben-Natan<br />

was born in Vienna and immigrated to Ereẓ Israel as an<br />

“illegal” immigrant in 1938. He was one of the founders of<br />

the group which established kibbutz *Dobrath (Dovrat). <strong>In</strong><br />

1944 Ben-Natan joined the Aliyah Department of the Jewish<br />

Agency and was delegated to the British Department, which,<br />

in liaison with the Allied Forces, specialized in the interrogation<br />

of Nazi war criminals and in compiling lists of them<br />

and their crimes. <strong>In</strong> October of that year he was transferred<br />

to Vienna, where he was in charge of the *Beriḥah movement<br />

in Austria, holding the position until 1947. During this period<br />

he established a special group to search for war criminals. <strong>In</strong><br />

1947 Ben-Natan was a special assistant to David Ben-Gurion<br />

and in 1948 was appointed chief of special operations in the<br />

Political Department of the Israel Ministry for Foreign Affairs.<br />

From 1951 to 1953 he studied at the <strong>In</strong>stitute of Higher <strong>In</strong>ternational<br />

Studies in Geneva, and in 1956 was appointed special<br />

delegate of the Ministry of Defense for Europe, taking up the<br />

post in Paris in 1957. From 1960 to 1965 he served as director<br />

general of the Ministry of Defense and from 1965 to 1969 was<br />

first Israel ambassador to the Federal Republic of Germany.<br />

<strong>In</strong> 1970 he was appointed Israel ambassador to France. Ben-<br />

Natan was a candidate for mayor of Tel Aviv in Nov. 1978 but<br />

was not elected.<br />

BEN-NER, YITZHAK (1937– ), Israeli writer. Born in Kefar<br />

Yehoshua, Ben-Ner studied literature and drama at Tel<br />

Aviv University before spending a couple of years in New<br />

York. His first novel, Ha-Ish mi-Sham (1967; The Man from<br />

There, 1970), tells of a young Israeli soldier who is trapped<br />

in a small Egyptian border town. An Egyptian doctor protects<br />

and hides him in his fiancée’s house. An ambiguous relationship<br />

develops, full of tension and surprises. The novel,<br />

which gained Ben-Ner much acclaim, was followed by prose<br />

works – novels and collections of stories – as well as by books<br />

for children (e.g. Kishona, 1977; Jeans,1991), film and television<br />

scripts, and plays (e.g., the monodrama David August, 1983,<br />

Ta’atuon, performed at the Cameri Theatre in 1990, and Uri<br />

Muri, performed there in 1999). The collection Sheki’ah Kafrit<br />

(1976; Rustic Sunset, 1997) comprises eight short stories, tales<br />

of childhood and maturity, depicting urban life in Israel and<br />

looking critically at the seemingly heroic officers of the Israeli<br />

army. Malakhim Ba’im (“The Angels Are Coming,” 1987) is a<br />

sophisticated parody on contemporary Israeli society through<br />

the story of David Halperin, a hedonistic Tel Aviv bachelor.<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 3 367

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