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JUDAICA - Wisdom In Torah

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iletzki, israel Ḥayyim<br />

served as principal of the Temple Beth-El and Emanuel religious<br />

school and wrote several textbooks for Jewish children.<br />

Among her published works are Jewish Post-Biblical History<br />

Through Great Personalities (1918); Bible Story in Bible Words<br />

(6 vols., 1924–30); Out of the House of Bondage (1925); Imaginative<br />

Writing: A Course in College Composition (1927); and<br />

Hidden Books: Selections from the Apocrypha for the General<br />

Reader (1956).<br />

The Dean Adele Bildersee Scholarship provides full or<br />

partial tuition to an outstanding student for graduate study<br />

at Brooklyn College.<br />

BILETZKI, ISRAEL ḤAYYIM (1914–1992), Yiddish poet<br />

and Hebrew essayist. Born in Kobrin, Biletzki immigrated<br />

to Palestine in 1934, and published extensively in Yiddish before<br />

and after the founding of the State of Israel. From his first<br />

book of Yiddish verse Umru (“Anxiety,” 1937) to his 15th lyric<br />

volume Shures Tsvantsik (1982), he displayed impeccable artistry<br />

in simple rhymed quatrains as well as in sophisticated<br />

free rhythms. While he published books in Yiddish about Itzik<br />

*Manger (1976) and Uri Zevi *Greenberg, most of his studies<br />

about individual Yiddish writers (e.g., H. *Leivick, *Bashevis<br />

Singer (English translation 1995), A. *Sutzkever) and various<br />

periods of the Yiddish literature were written in Hebrew.<br />

Bibliography: LNYL, 1 (1956), 292; M. Ravitch, Mayn Leksikon<br />

(1958), 85–86; Kressel, Leksikon, 1 (1965), 229. Add. Bibliography:<br />

I. Yanasovitch, in: Di Goldene Keyt, 83 (1974), 185–91; B.<br />

Kagan, Leksikon (1986), 83.<br />

[Sol Liptzin]<br />

BILGORAJ, small town in Lublin province, Poland. A Jewish<br />

community had been established there by the second half of<br />

the 17th century. Many of the Jews perished during the massacres<br />

of 1648–49. <strong>In</strong> 1765 Jewish poll-tax payers in Bilgoraj and<br />

the vicinity numbered 661. The Russian prohibition on Jewish<br />

settlement of the western border area (see *Russia) halted the<br />

growth of the community until the restriction was rescinded<br />

in 1862. The Jewish population numbered 1,637 in 1841; 3,486<br />

in 1897; 3,715 in 1921, and 4,596 in 1931. <strong>In</strong> interbellum Poland<br />

many Jews were employed in the horsehair-weaving industry.<br />

The brothers I.J. *Singer and I. Bashevis *Singer, Yiddish<br />

writers, were born in Bilgoraj. A Hebrew printing press was<br />

established there in 1909 and continued to publish numerous<br />

Hebrew and Yiddish books until the Holocaust.<br />

Holocaust Period<br />

It is estimated that over 5,000 Jews lived in Bilgoraj before<br />

the outbreak of World War II, constituting more than half the<br />

town’s population. On Sept. 11, 1939, almost the whole Jewish<br />

quarter was set on fire in a heavy bombardment by the German<br />

air force. A few days later German troops entered the<br />

town and immediately organized anti-Jewish pogroms. On<br />

September 29 the German army withdrew, but the occupying<br />

Soviet army had to cede the town to the Germans a week<br />

later. About 20% of the town’s Jewish population left for the<br />

Soviet Union together with the retreating Soviet troops. On<br />

June 25, 1940, a ghetto was established. <strong>In</strong> the course of 1941<br />

and 1942 a number of deportations took place; on Nov. 2, 1942<br />

almost all the remaining Jewish population was deported to<br />

*Belzec death camp. On Jan. 15, 1943, the last 27 survivors<br />

who had remained in hiding were shot. A group of young<br />

men organized a small partisan unit which operated in the<br />

surrounding forests. The Jewish community was not reestablished<br />

after the war.<br />

[Stefan Krakowski]<br />

Bibliography: T. Brustin-Bernstein, in: Bleter far Geshikhte,<br />

3 no. 1–2 (1950), 65–76, table 3; Khurbn Bilgoraj (1957).<br />

BILHAH (Heb. הָהְלִ ּב), servant girl presented to *Rachel by her<br />

father (Gen. 29:29). Bilhah was given by Rachel to her husband<br />

Jacob as a concubine (see *Nuzi). Bilhah bore two children<br />

by him, *Dan and *Naphtali (30:1–8). Reuben cohabited with<br />

her while his father was still alive, apparently by way of asserting<br />

his right of primogeniture (35:22). This offense is given as<br />

the reason for the loss of birthright by Reuben (Gen. 49:3–4;<br />

I Chron. 5:1). The meaning of the name is uncertain. It may<br />

be derived from the Arabic root balaha which means “to be<br />

confused” or “lacking in understanding” (cf. Heb. bhl), perhaps<br />

having some symbolic connotation relative to the status<br />

of the tribes descended from this concubine (see also: *Matriarchs,<br />

*Patriarchs, The Twelve *Tribes).<br />

[Encyclopaedia Hebraica]<br />

<strong>In</strong> the Aggadah<br />

The aggadah indicates Bilhah’s righteousness by the statement<br />

that, after the death of Rachel and Leah, the Shekhinah (which<br />

had been continuously present in their households) passed to<br />

Bilhah (Zohar 1:175b). After the death of Rachel, Jacob moved<br />

Bilhah’s bed into his chamber. Bilhah is identified as the “messenger”<br />

(Gen. 50:16) sent by the brothers to Joseph, to inform<br />

him of his father’s will (Tanḥ. B. 3:18).<br />

Bibliography: C.H. Gordon, in: RB, 44 (1935), 35–36; Noth,<br />

Personennamen, 10; S. Yeivin, Meḥkarim be-Toledot Yisrael ve-Arẓo<br />

(1960), 149–50.<br />

BILL-BELOTSERKOVSKI, VLADIMIR NAUMOVICH<br />

(1885–1966), Soviet Russian playwright. Born to a poor, Yiddish-speaking<br />

family in Ukraine, Bill-Belotserkovski received<br />

little traditional Jewish education. At the age of 16, he ran away<br />

to sea and spent the years from 1911 to 1916 in the United States<br />

(hence the nickname “Bill,” which he eventually adopted as<br />

part of his name). After his return to Russia in 1917, Bill-Belotserkovski<br />

fought in the Civil War and was one of the founders<br />

of the Communist propaganda theater as well as the author<br />

of some of the best-known plays in its repertory. These plays,<br />

called agitki, were primitive one-act dramas designed to rally<br />

audiences to the Communist cause; their artistic value was<br />

slight. Bill-Belotserkovski’s best play, Shtorm (“The Storm,”<br />

1925), dealt with the Civil War. Its effectiveness was enhanced<br />

by its documentary, matter-of-fact style and coarse humor. <strong>In</strong><br />

later years the playwright tried to tackle social and moral top-<br />

698 ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 3

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