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JUDAICA - Wisdom In Torah

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well as the economic crisis in Palestine, thwarted this ambitious<br />

program. While many members of Blau-Weiss settled<br />

in Palestine, some of them prior to the Prunn conference, no<br />

specific Blau-Weiss settlement or enterprise materialized. The<br />

movement dissolved in Germany in 1929, retaining only the<br />

Praktikantenschaft, i.e., small hakhsharah groups. After the<br />

disintegration of the Blau-Weiss most of its remaining members<br />

joined the *Kadimah group.<br />

Blau-Weiss also existed in Austria, where it flourished<br />

for a time. The Czechoslovak branch of the movement, which<br />

from 1919 called itself by the Hebrew equivalent, Tekhelet-<br />

Lavan, continued as a pioneering organization into the 1930s.<br />

The main impact of “the Blau-Weiss experience” was felt in<br />

Germany in the early 1920s among Jewish boys and girls of assimilated<br />

and semi-assimilated families. Alienated from their<br />

affluent parents and excluded from the “Aryanized” youth<br />

movements, these young people found their way back to the<br />

Jewish people and to Zionism.<br />

Bibliography: H. Maier-Cronemeyer, in: Germania Judaica<br />

(Cologne), 8 (1969), 18–40, 59–64, 67–71; H. Tramer, in: BLBI, 5<br />

(1962), 23–43; W. Laqueur, in: YLBI, 6 (1961), 193–205; W. Preuss,<br />

Ha-Ma’agal Nisgar (1968); M. Calvary, Das neue Judentum (1936),<br />

75–87; F. Pollack (ed.), 50 Jahre Blau Weiss (1962); Bergmann, in: G.<br />

Hanokh (ed.), Darkhei ha-No’ar (1937), 155–62. Add. Bibliography:<br />

J. Hackeschmidt, Von Kurt Blumenfeld zu Norbert Elias (1997),<br />

179–262; G.R. Sharfman, in: Forging Modern Jewish Identities (2003),<br />

198–228.<br />

BLAYER, PIETRO (1902–1978), Italian industrialist and<br />

Jewish communal leader. Born in Fiume, Blayer graduated<br />

in economics at the University of Trieste, and embarked on<br />

a banking career. <strong>In</strong> 1938, however, after the fascist racial<br />

laws, he entered his family’s printing plant, and toward<br />

the end of World War II escaped through the German lines<br />

and settled in Rome. Following nationalization of his family<br />

properties by the Yugoslavian government, which had<br />

annexed his native Istria region, he started a new advanced<br />

graphic-printing plant in Rome. <strong>In</strong> 1961 he was elected to the<br />

council of the Unione delle Comunità Israelitiche Italiane,<br />

where he directed the Finances and Properties Department<br />

for several years, displaying outstanding qualities as administrator.<br />

<strong>In</strong> 1972 he was elected vice president of the U.C.I.I.<br />

and in 1976, following the death of S. *Piperno-Beer, was appointed<br />

president.<br />

[Sergio Della Pergola (2nd ed.)]<br />

BLAZKO, MARTIN (1920– ), Argentine sculptor. Born<br />

in Germany, Blazko emigrated to Poland in 1933 and studied<br />

under Jankel Adler. Six years later, he settled in the Argentine<br />

where he helped to found the Madi group. Blazko’s<br />

sculptures, intellectually ordered though lacking sensuality,<br />

do not require effects of light for vivid presentation. The light<br />

values emanate from the planes and the hollows. Blazko consistently<br />

based his work on the relationship between plastic<br />

form and structure. He received many awards both national<br />

and international.<br />

bleek, friedrich<br />

BLECH, LEO (1871–1958), German opera conductor and<br />

composer. Born in Aachen, Blech studied with the composer<br />

Humperdinck. He was conductor at the Aachen Stadttheater<br />

from 1893 to 1898. <strong>In</strong> 1906 he was appointed choirmaster of<br />

the Berlin Royal Opera (State Opera from 1918) and from 1913<br />

to 1923 was its general musical director. <strong>In</strong> 1924 he became<br />

first conductor of the Berlin Folk Opera. Blech returned to<br />

the Berlin State Opera in 1926 and remained its conductor<br />

until 1937, when the Nazis forced him to resign. He left Germany<br />

for Latvia and in 1941 fled to Sweden, where he became<br />

conductor of the Stockholm Royal Opera. He returned to<br />

Germany in 1949 and once again conducted the Berlin State<br />

Opera. Blech composed a number of one-act and three-act<br />

operas, the latter including Aschenbroedel (“Cinderella”, 1905)<br />

and Rappelkopf (1917).<br />

Bibliography: MGG; Grove, Dict; Baker, Biog Dict; Riemann-Gurlitt.<br />

BLECHER, MARCEL (1909–1938), Romanian author.<br />

Blecher was born in Botoşani, but spent most of his life in<br />

the town of Roman. He was something of a phenomenon in<br />

Romanian literature. Afflicted with tuberculosis of the bone<br />

he was bedridden for the last ten years of his short life. His<br />

illness led to a heightened sensitivity and an obsession with<br />

death which contributed to the artistry of his writing. Blecher’s<br />

work appeared in various periodicals before he published<br />

his first collection of poems, Corp transparent, in 1934. His<br />

first novel, <strong>In</strong>tîmplǎri in irealitatea imediatǎ (“<strong>In</strong>cidents in<br />

the Immediate Unreality,” 1935), was one of the first attempts<br />

at surrealism in Romanian literature. Despite his remoteness<br />

from reality Blecher drew some remarkable portraits of a middle-class<br />

Jewish family in a provincial town and some lively<br />

scenes of Jewish customs. <strong>In</strong> his autobiographical novel <strong>In</strong>imi<br />

cicatrizate (“Scarred Souls,” 1937) Blecher described life in the<br />

sanatorium at Berck-sur-Mer in France where he spent a long<br />

time encased in a plaster cast. <strong>In</strong> his book he examined with<br />

deep psychological insight not only his own spiritual experiences<br />

but those of his fellow patients. A Yiddish version of<br />

“Scarred Souls” appeared in Romania and two editions of the<br />

original were published in Israel. At the suggestion of André<br />

Gide, Blecher began translating the novel into French, but died<br />

before he could complete the task. Among his unpublished<br />

works, he left the manuscript of a novel on a Jewish theme<br />

entitled Vizuina luminoasǎ (“The Bright Vision”).<br />

Bibliography: G. Cṭlinescu, Istoria Literaturii Romîne dela<br />

origini pînǎ ínprezent (1941), 880, 928; C. Baltazar, Scriitor şi Om<br />

(1946), 29–34; Crohmǎlniceanu, in: Preuves, no. 202 (Dec. 1967),<br />

36–38; Litani, in: Al ha-Mishmar (Sept. 20, 1964); Panǎ, in: Revista<br />

Cultului Mozaic (March 1, 1968).<br />

[Dora Litani-Littman]<br />

°BLEEK, FRIEDRICH (1793–1859), German Bible critic;<br />

professor of theology at Bonn from 1829 to 1859. Bleek maintained<br />

that the basic document of the Pentateuch is the Elohist<br />

(the E document) which has been supplemented by sections<br />

ENCYCLOPAEDIA <strong>JUDAICA</strong>, Second Edition, Volume 3 747

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