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Magin_Edward-thesis

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108<br />

quatrain. Only in the final quatrain do we again see rhyme in the first and third lines<br />

giving a rhyme scheme of CXCB.<br />

(136) ey sûxteyê bê nav u deng, (CX2:1-8)<br />

dijmin li ser balafire.<br />

pir leşker u top u tiveng;<br />

seîda ewe, ew mahire.<br />

sed salin ev zeîd u ‘emir,<br />

cenge dikel rîşa melê<br />

mertal di dest wan de bihuşt;<br />

gurzê di dest wan agire.<br />

seîdayê rast u ronîye,<br />

lewra cegerxwîn namîdar.<br />

zana dizanin ew kî ye,<br />

ên ker dibêjin kafire.<br />

………….<br />

(CX2:29-32)<br />

The examples above are representative of the quatrain rhyme schemes found in<br />

this corpus. As this is such a small sampling of the çuarkî poetry, with more research one<br />

might encounter other rhyme schemes. For example, Turco mentions an interlocking<br />

ruba’iyat that is common in Arabic and Persian poetry. This chain verse has a rhyme<br />

scheme of AABA, BBCB, CCDC, ending with ZZAZ, where the third line of the final<br />

quatrain circles back to the rhyme in the initial quatrain (Turco 2000:245). Considering<br />

the influence of Persian and Arabic poets on Kurdish poets, it would not be surprising to<br />

find interlocking çuarkî poems within the body Kurdish poetry.<br />

The çuarkî schemes found in the corpus are summarized in Table 17.

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