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Magin_Edward-thesis

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167<br />

instances ellipsis of object pronouns in prepositional phrases. The missing pronouns are<br />

in parentheses.<br />

Poem Line # Pronoun Text<br />

Table 23. Pronoun ellipsis.<br />

BS4 25 wî Ristkên şenqê bu (wî) vedan can fîdayên rastî yê<br />

Necklets of throats were ready for him to sacrifice his soul for<br />

truth.<br />

BS4 45 wî Nabitin biçim nik Xanî bu (wî) vekim dilê bi xwîn<br />

I can’t go near Xanî and open for him my heart with blood<br />

(sadness).<br />

BS7 11 wî Kewek bu lê neçu ravê ji (wî) kewgiran nekew girbu<br />

5.4.1.2.4 Ellipsis of copula<br />

He was a partridge but he did not go hunting because for the<br />

hunters this partridge is not a hunter.<br />

Ellipsis of the third person, singular, present tense copula is quite common in<br />

spoken language. Such is the case in the following examples from Cegerxwîn’s Silav Li<br />

Sifra Hazire, ‘Salute the Feast Is Ready.’ Written Northern Kurdish would typically<br />

include the 3SG copula, e, on the end of the words bihuşt, ‘heaven,’ in (260), and<br />

namîdar, ‘famous,’ in (261). However, we have already seen how performance is an<br />

important consideration for the poet when writing poetry. In this instance, leaving off the<br />

copula reflects spoken language, and aids the poet in reaching his desired syllable count.<br />

(260) mertal di dest(-êt) wan de bihuşt(=e) (CX2:7)<br />

shield in hand(-EZ.PL) 3OP in heaven(=COP.PRS.3SG)<br />

‘The shield in their hands (is) heaven.’<br />

(261) lewra Cegerxwîn namîdar(=e) (CX2:30)<br />

Thus Cegerxwîn famous (=COP.PRS.3SG)<br />

‘Thus Cegerxwîn is famous.’<br />

In other lines from the same poem, including the title, the copula is included. In<br />

these examples the copula appears in its normal position, at the end of each line.

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