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Magin_Edward-thesis

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53<br />

3.7 Quçan on imagery in his poetry<br />

Poetry is understood to be a creative means of expression. One notable moment in<br />

my interview with Mihsin Quçan was when he talked about his utilization of popular<br />

Kurdish traditions of dream interpretation in his poetry. He says:<br />

In Kurdish tradition, for example, if you see blood in your dream, it means<br />

you will depart from something. Or if you see that your tooth is pulled out,<br />

it means you will die or something. (Quçan 2010)<br />

Quçan collected these ideas and “put them in his poetry with a new angle, a new way”<br />

(Quçan 2010). These are things that the outsider, the person from another culture, cannot<br />

know. The outsider has little familiarity with such old traditions and beliefs.<br />

At the writing of this <strong>thesis</strong>, I did not have the opportunity with a native speaker<br />

to identify if this specific dream imagery is present in the corpus. There is one poem by<br />

Quçan that deals with blood and begins with references to dreams―Birînên Şevên<br />

Xwînelo, ‘Wounds of Night Covered in Blood.’ However, I do not see this specific image<br />

in the poem, which seems to predominantly be concerned with real life experience―not<br />

dreams. Teyb’s Xewinek, ‘A Dream,’ also contains dream imagery requiring<br />

interpretation.

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